Building on current scholarly interest in the religious dimensions of the play, this study shows how Shakespeare uses Hamlet to comment on the Calvinistic Protestantism predominant around 1600. By considering the play's inner workings against the religious ideas of its time, John Curran explores how Shakespeare portrays in this work a completely deterministic universe in the Calvinist mode, and, Curran argues, exposes the disturbing aspects of Calvinism. By rendering a Catholic Prince Hamlet caught in a Protestant world which consistently denies him his aspirations for a noble life, Shakespeare is able in this play, his most theologically engaged, to delineate the differences between the two belief systems, but also to demonstrate the consequences of replacing the old religion so completely with the new.
'It is of some interest that Shakespeare coined the phrase "foregone conclusion." For John Curran argues--ingeniously, learnedly, provocatively, and polemically - and with a truly formidable command of the academical literature - that the spasmodic, paralyzed, and resigned action of the protagonist in "Hamleti" n effect comprises the playwright’s analysis of human agency according to opposed theological positions and authorities - Protestant and Catholic - on the subject of the freedom of the will. … The great accomplishment of this remarkable book is the implacable derivation of its thesis from detail after detail of the play’s speeches and the script for its action, and the unrelenting re-application of the argument to scene after scene - from protasis to denouement - of the drama’s business and pilgrimage. But the great interest of the book also resides in the extended explanation it provides for our own culture’s ongoing and seemingly inexhaustible fascination with Hamlet’s hag-ridden ministry, insofar as that fascination lies precisely in our perpetual unreadiness - or constitutional inability - to bury the theological dead.' James Nohrnberg, University of Virginia, author of The Analogy of The Faerie Queene ’Of several recent studies of Catholic versus Protestant in Shakespeare […] Curran's is the most subtle and persuasive…’ Renaissance Quarterly ’This is an important book… written with admirable clarity and wants, with extraordinary urgency, to explore a really big idea. With admirable lucidity and economy, Curran sets out within the first three pages of the text proper his intriguing and provocative argument …Curran writes quite brilliantly on Hamlet as a quasi-absurdist drama of inevitability, and the book is a compelling, at times even a gripping read, which offers an account of Hamlet which no future critic will be able to disregard.’ Notes and Queries '… none of the advances of this recent critical tren