1st Edition
Handel’s Grand Concertos Opus 6 Shifts in Compositional Perspectives
Part 1: The concerto and the orchestra
1. Three constitutive attributes of the instrumental concerto: Non-concerto cases
2. The birth of the orchestra
3. Orchestra vs ensemble: Similarity vs difference
Part 2: Types and models of the instrumental concertos
4. Problems of the instrumental concerto classifications: Concerto grosso
5. Concerto ripieno and solo concerto
6. Concerto models: Handel’s reconsideration of the Corellian concerto model
Part 3: Analysis of the Twelve Grand Concertos Op. 6
7. Introduction
8. First Concerto
9. Second Concerto
10. Third Concerto
11. Fourth Concerto
12. Fifth Concerto
13. Sixth Concerto
14. Seventh Concerto
15. Eighth Concerto
16. Ninth Concerto
17. Tenth Concerto
18. Eleventh Concerto
19. Twelfth Concerto
Conclusions
Biography
Vadym Rakochi, Lecturer in the Department of Music and Scientific Collaborator at the Institute for Music Research at Zurich University of the Arts, Switzerland (2022–2025), is currently a Docent at Basel University, Switzerland.






