Part 1 Paper Matters
1. Painting White Paper White: Whiteness in Pablo Picasso’s Papiers Collés
Emmanuelle Hincelin
2. From Tearing to Infra-Thin: Paper, Materiality and Metaphor in Arp, Picabia and Duchamp
David Hopkins
3. Joan Miró’s Collages: "A Tribute to Bad Taste?"
Elza Adamowicz
Part 2 Paper Community
4. Medium, Platform, Art Form: Avant-Garde Experiments with Paper in the Original Print Portfolio
Fiona Piccolo
5. Avant-Garde by Mail
Jessica Sjöholm Skrubbe
6. Paper Exhibitions: The Magazine as Exhibition Catalogue
Lori Cole
Part 3 Paper Transfer
7. Monochrome Harmony: Black-and-White Work on Paper in Belgian Constructivism
Sarah Eycken
8. Making Strange: Hirschfeld-Mack, Klee, the Monoprint, and the Avant-Garde Diaspora
Jane Eckett and Andrew McNamara
9. "The most burning question for contemporary thinking about art": Art Competitions and the Discourse on Painting in Reproduction in Weimar Germany
Anne Reimers
10. Transparency on Paper: Imagining Glass Architecture from Taut to Eisenstein
Tyrus Miller
Part 4 Paper Critique
11. Protean Papers: Material Transformations in German Paper and Kurt Schwitters’s Merz Drawings and Prints
Erin Sullivan Maynes
12. Steadfast Matter: Paper’s Affects
Sabine T. Kriebel
13. The Treason of the Clerks: Accounting for Paris Dada Paperwork
Trevor Stark
14. Parade Albums and Censorship in the Soviet Union
Viola Hildebrand-Schat
Biography
Sascha Bru is a professor at the Faculty of Arts at the University of Leuven, Belgium.
