1st Edition
Historicising Heritage and Emotions The Affective Histories of Blood, Stone and Land
List of Figures Contributors Acknowledgements Introduction: Historicising Heritage and Emotions Alicia Marchant Part I: Affective Histories of Blood, Stone and Land in Medieval and Early Modern Britain 1. Carved in Stone: Engaging with the Past in Medieval Orkney Sarah Randles 2. Wulfstan of Worcester’s Weeping: The Architecture of the Norman Conquest as a Site of Cross-Cultural Emotion Jane-Héloïse Nancarrow 3. John Hardyng’s Scotland: Emotional Geographies and Forged Heritage in the Fifteenth Century Alicia Marchant 4. Sacred Memory: The Elizabethan Monuments of Westminster Abbey Peter Sherlock 5. Emotional Lineages: Blood, Property, Family and Affection in Early Modern Scotland Katie Barclay 6. "Let me weep for such a feeling loss": The Emotional Significance of Shakespeare’s Heritage Susan Broomhall Part II: Affective Histories of Blood, Stone and Land in Australia and the Pacific 7. My Heritage - It is Not Just About Sticks and Stones - It is Timeless, Precious and Irreplaceable Patricia (Patsy) Cameron 8. The Crimson Thread of Medievalism: Haematic Heritage and Transhistorical Mood in Colonial Australia Louise D’Arcens 9. John Watt Beattie and the Presentation of Convict History Jon Addison 10. ‘The General Softening of Manners Among Us’: Music and the Moral Power of Nostalgia in a Colonial Penal Colony’ Alan Maddox 11. Murdering Snow and Ruling the North: The Rise and Fall of Affective Colonialism and the Advent of Heritage Tourism in New Zealand Kristyn Harman 12. Convict Bloodlines: Crime, Intergenerational Legacies and Convict Heritage Hamish Maxwell-Stewart 13. The Esplanade and the City Gatekeepers: Contesting the Limits of Urban Heritage Protection Jenny Gregory Bibligraphy Index
Biography
Alicia Marchant is a heritage consultant and historian based at the ARC Centre of Excellence for the History of Emotions, Europe 1100–1800 at the University of Western Australia. Her work focuses on the histories of emotions and heritage, river histories, concepts of place, cartography and dark tourism.
