Here is presented a succinct and insightful account of the reception of the Iliad and Odyssey from antiquity to the mid-twentieth century. The overall result is less a systematic history than a series of independent studies differing in scale and focus, the chapter on Gladstone being the most comprehensive and detailed. First published in 1958.
The author gives greatest attention to those who made active use of Homer rather than passive, even if admiring, readers: Virgil because he wrote the Aeneid, Gladstone because he brought him to prominence in Oxford education, Wood because he sought out the geography and Schliemann because he dug for the kings. The emphasis is thus placed less on the purely academic critic than on the traveller and the innovative amateur.
A valuable contribution to a subject of perennial fascination, this will be of interest to all students and teachers of the classics.
Preface. 1. Homeric Criticism: The Means and the End 2. Homer and His Critics in Antiquity 3. From the Geste de Troie to Bentley 4. Poet and Painter 5. Friederich August Wolf 6. Gladstone’s View of Homer 7. The Epic of the Spade: Heinrich Schliemann 8. The Epic of the Spade: The Homeric World 9. Ulrich von Wilamowitz-Moellendorff; Continuation by Dorothea Gray 10. John Linton Myres 11. The Last Decade
Reissuing works originally published between 1958 and 1993, this five-volume set offers a selection of scholarship on the greatest classical poet, whose two monumental epics, the Iliad and the Odyssey, remain foundational to the Western cultural tradition.
Routledge Library Editions: Homer helps to situate this immense artistic achievement in its historical and cultural context, considering issues such as the relationship between the Homeric epics and the Mycenaean civilisation which preceded them, the importance of Homer for the flowering of Greek tragedy, and the reception of Homer during and after the Enlightenment.