1st Edition

Hooked: Drug War Films in Britain, Canada, and the U.S.

By Susan C. Boyd Copyright 2008
262 Pages
by Routledge

262 Pages
by Routledge

Drug prohibition emerged at the same time as the discovery of film, and their histories intersect in interesting ways. This book examines the ideological assumptions embedded in the narrative and imagery of one hundred fictional drug films produced in Britain, Canada, and the U.S. from 1912 to 2006, including Broken Blossoms , Reefer Madness , The Trip , Superfly , Withnail and I , Traffik... Read more

Introduction

Chapter One: Censorship and Moral Reform

Chapter Two: Demon Drug Dealers

Chapter Three: Protecting the Nation and State and Corporate Dealers

Chapter Four: Vilified Women

Chapter Five: Addiction-as-disease Narratives

Chapter Six: Stories that Rupture

Conclusion

Notes


Bibliography

Index

Biography

Susan C. Boyd is an Associate Professor in Studies in Policy and Practice and Senior Research Fellow at the University of Victoria's Centre for Addiction Research in BC, Canada. She is the author of From Witches to Crack Moms: Women, Drug Law, and Policy (2004) and Mothers and Illicit Drugs: Transcending the Myths (1999).

"Susan Boyd has done it again! In Drug Films she provides all interested in the human community’s exploration and use of drugs, with cinematic revelations about Hollywood’s collaboration with the government in controlling human inventiveness in expanding consciousness and developing analgesics." - Dennis Sullivan, Institute for Economic and Restorative Justice

"Fear of drugs has been carefully cultivated in myth and propaganda for over a century. The construction and manipulation of that fear is why punitive prohibition persists despite its savage failures. Susan Boyd's important new book shows how film has played a starring role in this drug drama. Her insightful analysis of so many classic movies is so well written and entertaining you hardly notice that it is a work of deep scholarship, about drug problems themselves as well as their cinematic representations." -- Craig Reinarman, Professor of Sociology, University of California, Santa Cruz, author of Crack In America