1st Edition

How Folklore Shaped Modern Art A Post-Critical History of Aesthetics

By Wes Hill Copyright 2016
188 Pages
by Routledge

188 Pages
by Routledge

188 Pages
by Routledge

Since the 1990s, artists and art writers around the world have increasingly undermined the essentialism associated with notions of "critical practice." We can see this manifesting in the renewed relevance of what were previously considered "outsider" art practices, the emphasis on first-person accounts of identity over critical theory, and the proliferation of exhibitions that refuse to... Read more

1. Kant and Herder  2. Disciplinary Objectives  3. Warhol’s Poplore  4. Post-Critical Art

Biography

Wes Hill is an art historian, artist, art critic and curator who lectures in art theory and curatorial studies at Southern Cross University, Australia. His specialty research areas include contemporary art and the intersections of practice and theory.

"Contemporary art’s post-criticality is difficult to define. This book radically redraws our assumptions of modern art from the viewpoint of contemporary practice. It finds that contemporary plurality has been latent since the 19th century and that a folkloric driver was always the hidden shadow in our definitions of what art is and can be." --Oliver Watts, University of Sydney, Australia