1st Edition

How We Experience Modern Verse

By Eric Purchase Copyright 2023
    192 Pages 2 B/W Illustrations
    by Routledge

    Poetry moves us. Sometimes a poem changes our life. Then we analyze it as a cultural artifact with no special connection to us. An extensive critical apparatus enables us to develop sophisticated interpretations, but we dismiss as "idiosyncratic" even life-changing experiences of poetry. We need an apparatus to unfold our experience of reading poems into a more effective relationship with the world. Modern poets in particular wrote prophetic verse for this purpose. Archetypal psychology and phenomenology describe the soul that modern poetry moves in us. Three prosodic mechanisms activate the psyche. The polyphony of accentual and quantitative versification creates depth to lure the soul. Aural images reshape the reader’s stream of consciousness. Readers follow the movement of blocks of verse across the expanse of the page with what Maurice Merleau-Ponty terms the phenomenal body. These mechanisms reach us at the collective level of consciousness and generate the power we need to solve big, collective challenges, such as race, climate change, and inequality.

    Preface

    Acknowledgments

    Part I: The Experience of Modern Verse

    Chapter 1: Reading as an Experience of the Psyche

    Chapter 2: Reading as an Experience of the Body

    Part II: The Psychoactive Mechanisms of Modern Verse

    Chapter 3: Polyphony

    Chapter 4: Aural Images

    Chapter 5: Movement

    Part III: The Value of Experiencing Modern Verse

    Chapter 6: An Earth of Value

    Afterword: Teaching the Experience of Modern Verse

    Biography

    Eric Purchase is a professional writer for Gartner, Inc., a research and advisory firm, and an independent scholar. Previously he taught writing and literature for a dozen years at various universities. He holds a Ph.D. in comparative literature from the University of Connecticut. His previous books include Out of Nowhere (1999) and The Future of Reading (2019).