1st Edition

Illustrating the Past in Early Modern England The Representation of History in Printed Books

By James A. Knapp Copyright 2003
322 Pages
by Routledge

322 Pages
by Routledge

322 Pages
by Routledge

Illustrating the Past is a study of the status of visual and verbal media in early modern English representations of the past. It focuses on general attitudes towards visual and verbal representations of history as well as specific illustrated books produced during the period. Through a close examination of the relationship of image to text in light of contemporary discussions of poetic and... Read more
Contents: Introduction: Historical afterimages and history after images; Printing books 'with the pyctures': the context for illustration in 16th-century England; Transforming truth: Hilliard, Sidney, and the emergence of an anti-materialist aesthetic; Stories and icons: reorienting the visual in John Foxe's Acts and Monuments; From 'universal cosmography' to narrative history: The evolution of Holinshed's Chronicles; Vision into verse: John Derricke's Image of Ireland and the decline of visual history; Conclusion; Bibliography; Index.

Biography

James A. Knapp is an assistant professor of English Language and Literature at Eastern Michigan University. His essays on book-illustration and cultural poetics have appeared in Criticism, Disputatio, and ELH, as well as a variety of essay collections. He is currently the co-editor of JNT: Journal of Narrative Theory

'A beguiling volume with a provocative thesis concerning the rise and fall of images in the books and texts of early modern England. Its lucid arguments tease out fascinating connections in the spaces between words and pictures, between history and representation.' Leonard Barkan, Arthur W. Marks '19 Professor of Comparative Literature, Princeton University

'... contribute[s] valuably to what may be emerging as a new topic in early modern studies: the question of how people experienced their history.' Renaissance Forum

'This book represents a significant contribution to our understanding of sixteenth-century book illustration...' Literature & History

'This is an extremely ambitious interdisciplinary endeavor, written at the crossroads of literary theory, art history, historiography, and the history of the book... The result of all this complexity and multidisciplinarity is a book which is fascinating to read and makes some genuine insights...' Sixteenth Century Journal

'Knapp's landmark study is a welcome reassessment of early modern book illustration that promises to inspire further work on the relationship between early modern print and visual culture.' Clio

’This fascinating volume [...] addresses a hitherto neglected topic of the broader intellectual and economic implications of woodcut illustrations during this early period of printing history in England.’ Journal of Printing Historical Society