Studies on gender and sexuality have proliferated in the last decades, covering a wide spectrum of disciplines. This collection of essays offers a metanarrative of sexuality as it has been recently embedded in the art historical discourse of the European Renaissance. It revisits ‘canonical’ forms of visual culture, such as painting, sculpture and a number of emblematic manuscripts. The contributors focus on one image—either actual or thematic—and examine it against its historiographic assumptions. Through the use of interdisciplinary approaches, the essays propose to unmask the ideology(ies) of representation of sexuality and suggest a richer image of the ever-shifting identities of gender. The collection focuses on the Italian Renaissance, but also includes case studies from Germany and France.
"Revolving around notions of Lacanian desire, this provocative volume aims to expand our understanding of the relationship between sexuality and visual culture. The twelve essays assembled here, paying careful attention to historiography, deconstruct a multitude of myths and ideologies in order to advance a more nuanced sense of self and desire. This innovative collection will make a significant contribution to the fields of art history, gender and sexuality studies, and literary theory."
- Allison Levy, author of Sex Acts in Early Modern Italy (Routledge, 2010)
Part I: The Politics of Desire: Stereotypes and Ambiguity of Gender Identity
1. Body Language in Dürer’s Martyrdom of the Ten Thousand Christians
[Linda C. Hults]
2. Hilarious Homoeroticism, or the Renaissance of Stereotypes in Filarete’s Bronze Doors for St. Peter’s
3. Carnal Desire and Conflicted Sexual Identity in a ‘Dominican’ Chapel
4. Mirror Effects: The Narcissus Emblem in Scève’s Délie
[Nancy M. Frelick]
Part II: Mechanisms for Actualizing Desire: From Seduction to ‘Postcoital Man’
5. Who is to Blame? Representing Adultery in Early Modern Books: Alciato, Aneau, Brant, Ripa
6. Cupid and the Bear: Emblems of Creation and Images of Seduction in Sixteenth-Century Art Writing and Love Imagery
7. The Power of Women and the Postcoital Man
[Tatiana C. String]
8. The Double Strike: A Psychoanalytic Reading of Donatello’s Judith and Holofernes
Part III: Beyond the ‘Pleasure Principle’ or the Polysemy of Desire
9 Violence and Desire: Fetishist Impulses and Violence against the Female Body in the Hypnerotomachia Poliphili
10. Drunkenness, Sex and Desire in Titian’s Bacchanal of the Andrians
11. Pollution and Desire in Hans Baldung Grien: The Abject, Erotic Spell of the Witch and Dragon
12. Gabrielle d’Estrées et l’une de ses Soeurs and the Pleasures of Proliferative Criticism
A forum for the critical inquiry of the visual arts in the early modern world, Visual Culture in Early Modernity promotes new models of inquiry and new narratives of early modern art and its history. We welcome proposals for both monographs and essay collections that consider the cultural production and reception of images and objects. The range of topics covered in this series includes, but is not limited to, painting, sculpture and architecture as well as material objects, such as domestic furnishings, religious and/or ritual accessories, costume, scientific/medical apparata, erotica, ephemera and printed matter. We seek innovative investigations of western and non-western visual culture produced between 1400 and 1800.