1st Edition

Imagining Arcadia in Renaissance Romance

By Marsha S. Collins Copyright 2016
286 Pages 1 B/W Illustrations
by Routledge

286 Pages 1 B/W Illustrations
by Routledge

286 Pages 1 B/W Illustrations
by Routledge

From Theocritus’ Idylls to James Cameron’s Avatar , Arcadia remains an enduring presence in world culture and a persistent source of creative inspiration. Why does Arcadia still exercise such a powerful pull on the imagination? This book responds by arguing that in sixteenth-century Europe, a dramatic shift took place in imagining Arcadia. The traditional visions of Arcadia collided and fused... Read more

1. Weaving the Arcadian Tapestry 2. In the Ending is the Beginning: Sannazaro’s Arcadia (1504) 3. The Metamorphosis of Arcadia: Montemayor’s La Diana (1559) 4. Romancing Arcadia: Cervantes’ La Galatea (1585) 5. Romancing Arcadia: Sidney’s Arcadia (1590) 6. Courting Arcadia: Lope’s Arcadia (1598) Conclusion

Biography

Marsha S. Collins is Professor of Comparative Literature and Royster Distinguished Professor for Graduate Education at the University of North Carolina at Chapel Hill, USA. She is the author of a book on the historical novels of Pío Baroja, a book on Luis de Góngora's poetic masterpiece the Soledades, and articles on Cervantes, Lope, Galdós, and Unamuno, among others. Her research focuses on the literature of Imperial Spain in a comparative context, the relationship between literature and the visual arts, and romance and other idealizing forms of fiction.

"Marsha Collins’s approach to the construction, or reconstruction, of Arcadia in the sixteenth century is fascinating and convincing. Her study presents a dynamic vision of the pastoral world and its special sensibility. The comparative analyses—of Sannazaro, Montemayor, Cervantes, Sidney, and Lope de Vega—are sound, well argued, and a pleasure to read, offering a superb complement to previous studies of the genre."Edward H. Friedman, Professor of Comparative Literature and European Studies. Vanderbilt University, USA