1st Edition
Imagining Urban Complexity A Humanities Approach in Tropes, Media, and Genres
Imagining Urban Complexity introduces passionate and critical perspectives on the link between humanities and urban studies. It emphasizes tropes, media, and genres as cultural techniques that shape complexity in urban environments by distributing affordances, modes of sensing, and modes of sense-making.
Focusing on urban political and cultural dynamics in 24 global cities, the book shows that urban environments are thematized in literature and art, but are also entities that are shaped, perceived, interpreted, and experienced through sense-making techniques that have long been central to the humanities. These techniques activate a dialectic between urban imaginations and cancellations because tropes, media, and genres are aesthetically and politically powerful: they propel imaginations and open up multiplicities of urban possibilities, they naturalize actualized orders and cancel alternatives. This book moves between close readings of city spaces and more systemic and infrastructural approaches to urban environments, providing tools and strategies that can be adapted and extended to understand urban complexity in different cultural and historical contexts.
The book speaks to global audiences from a continental philosophical tradition. It is aimed for scholars and researchers in the field of the Humanities, Social Sciences, Urban Studies, urban complexity, aesthetics, and politics. It is relevant to graduate or postgraduate students in critical urban studies, urban design, comparative literature, art history, cultural studies, cultural analysis, ecocriticism, citizenship, political theory, and ethics.
Preamble
Urban complexities: a humanities toolkit of tropes, media, genres
I
Tropes
1. What holds cities together?
Body Politic - Network - Belt: Hong Kong & Atlanta
2. Cities as paradigms of nature-culture
Jungle - Desert - Garden : Mexico City & Canberra
3. Urban distributions of access
Archive - Labyrinth - Zone: Istanbul & Moscow
4. Cities as centers of expectation and disillusion
Utopia - Dystopia - Non-Place: Paris & Brasilia
II
Media
5. Bringing urban selves and world into perspective
Theatre - Spectacle: Amsterdam & Naples
6. Connecting the private and the masses
Newspaper - Radio: Chicago & Caïro
7. Battlegrounds of representation and motors of desire
Television - Cinema: Beijing & Bangkok
8. Media relating dividuals and scapes
Digital - Social Media: Mumbai & Nairobi
III
Genres
9. Cities as forms of emplotment
Narrative – Documentary: Rio de Janeiro & Seattle
10. Urban life fragmented and improvized
Collage – Play: Lagos & Barcelona
11. Who does a city address and what do its rhythms express?
Lyric – Poetry: Isfahan & Jakarta
12. City secret, city trauma and the unrepresentable
Allegory – Comics: Jerusalem & Hiroshima
Postscript
The smart city: archipelagos of tests
Biography
Frans-Willem Korsten is professor ‘Literature, Culture, and Law’ at the Leiden University Centre for the Arts in Society and professor 'Literature and society' at the Erasmus School of Philosophy. He was responsible for the NWO internationalization program ‘Precarity and Post-Autonomia: The Global Heritage’ and took part in a NWO/FWO funded program: ‘Imagineering Techniques in the Early Modern Period’. He currently takes part in a NWO funded program entitled ‘Playing Politics: Media Platforms, Making Worlds’. He published extensively on the Republican baroque, theatricality and sovereignty (A Dutch Republican Baroque; open access), and the relation between literature, art, politics, justice and law – Art as an Interface of Law and Justice: Affirmation, Disturbance, Disruption (2021) and Cultural Interactions: Conflict and Cooperation (2022).
Anthony T. Albright is a PhD candidate and lecturer at the Leiden University Center for the Arts in Society. He received an B.A. in English and Comparative Literature from Columbia University and an M.A. in Media Studies from Leiden University
