1st Edition
Industrial Networks and Cinemas of India Shooting Stars, Shifting Geographies and Multiplying Media
Introduction: Detouring Networks
Madhuja Mukherjee and Monika Mehta
PART I
The Female Star, Traveling Figures and Transgressions
1. Fatma Begum, South Asia’s ‘First’ Female Director: Resurrections from Media and Legal Archives
Rashmi Sawhney
2. The ‘Problem of Respectable Ladies Joining Films’: Industrial Traffic, Female Stardom and the First Talkies in Bombay and Tehran
Claire Cooley
3. Sabita’s Journey from Calcutta to Bombay: Gender and Modernity in the Circuits of Cinemas in India
Sarah Rahman Niazi
4. Travels of the Female Star in the Indian Cinemas of the 1940s and 50s: The Career of Bhanumathi
Uma Bhrugubanda
5. Bringing Bharatanatyam to Bombay Cinema: Mapping Tamil-Hindi Film Industry Traffic through Vyjayanthimala’s Dancing Body
Usha Iyer
PART II
Networks of Circulation, Production, and Imaginings
6. Film exhibition in Hyderabad in 1930s: The case of Motimahal theatre and film circulation
C. Yamini Krishna
7. Arriving at Bombay: Bimal Roy, Transits, Transitions, and Cinema of Intersection
Madhuja Mukherjee
8. Circumambient Geographies of Cinema: The Shaw Brothers’ Malay Film Production Studios
in mid-century Singapore
Peter Bloom
9. Filmfare, the Bombay Industry and Internationalism (1952-1962)
Anustup Basu
10. Traversing The Evil Within (1971) – Transnational aspirations, Gender, Infrastructure in a post-war Asia
Pujita Guha
PART III
Media Geographies, Agencies and Technologies
11. Habits and Worlds: Malayalam Cinema’s Travels with the Gulf
Ratheesh Radhakrishnan
12. Celluloid Visions in a Video Frame: Bhojpuri Cinema between Insurrections and Catharsis Akshaya Kumar
13. Mixing Industrial Elements, Generating Sexual Agency in Aiyyaa
Nilanjana Bhattacharjya and Monika Mehta
14. Blurring the Boundaries Between Hollywood and Bollywood: The Production of Dubbed Films in Mumbai”
Tejaswini Ganti
15. Making-of Videos: Of Placeless Studios and Pioneering Music Directors
Pavitra Sundar
16. The Materiality of Digital Footprints: Video industries, media networks and the “located mobility” of Malegon films
Ramna Walia
Biography
Monika Mehta is Associate Professor of English at State University of New York, Binghamton, USA. She is the author of Censorship and Sexuality in Bombay Cinema (2011/ 2012) and has also co-edited Pop Empires: Transnational and Diasporic Flows of Korea and India (2019).
Madhuja Mukherjee is involved with art-practice, curatorial projects, and filmmaking. She is Professor of Film Studies at Jadavpur University, Kolkata, India. Her research papers have been published in academic journals; she is the author of New Theatres Ltd.: The Emblem of Art, The Picture of Success (Pune: 2009), editor of Aural Films, Oral Cultures: Essays on Cinema from the Early Sound Era (Kolkata: 2012), Voices of the Talking Stars: The Women of Indian Cinema and Beyond (Kolkata/ Delhi: 2017), and Popular Cinema in Bengal: Genre, Stars, Public Cultures (London / New York: 2020).
