In this pioneering book, Christopher Whitehead provides an overview and critique of art interpretation practices in museums and galleries. Covering the philosophy and sociology of art, traditions in art history and art display, the psychology of the aesthetic experience and ideas about learning and communication, Whitehead advances major theoretical frameworks for understanding interpretation from curators’ and visitors’ perspectives. Although not a manual, the book is deeply practical. It presents extensively researched European and North American case studies involving interviews with professionals engaged in significant cutting-edge interpretation projects. Finally, it sets out the ethical and political responsibilities of institutions and professionals engaged in art interpretation.
Exploring the theoretical and practical dimensions of art interpretation in accessible language, this book covers:
Thoroughly researched with immediately practical applications, Interpreting Art in Museums and Galleries will inform the practices of art curators and those studying the subject.
List of figures Preface Part I: Introductory mappings 1. What is art interpretation? Why interpret art? 2. The cultural cartography of the museum 3. Matters of interpretation: materiality, authority, chronology Part II: Interpretive practice today 4. Interpretive frames: historical figurative art 5. Interpretive frames: modern, contemporary and non-figurative art 6. Case studies: institutional approaches to historical art 7. Case studies: institutional approaches to contemporary art 8. Interpretive futures References