Intersecting Art and Technology in Practice : Techne/Technique/Technology book cover
1st Edition

Intersecting Art and Technology in Practice

ISBN 9780367874124
Published December 10, 2019 by Routledge
242 Pages

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Book Description

This book focuses on the artistic process, creativity and collaboration, and personal approaches to creation and ideation, in making digital and electronic technology-based art. Less interested in the outcome itself – the artefact, artwork or performance – contributors instead highlight the emotional, intellectual, intuitive, instinctive and step-by-step creation dimensions. They aim to shine a light on digital and electronic art practice, involving coding, electronic gadgetry and technology mixed with other forms of more established media, to uncover the practice-as-research processes required, as well as the collaborative aspects of art and technology practice.

Table of Contents


Ruth Catlow and Marc Garrett


Camille Baker and Kate Sicchio

Theme 1: Artistic process/challenges

1. Intuition and Creative Process Methodologies in Digital Performance

Camille Baker

2. 60ma: experimenting with performing with electrodes/ experiences in digital art practice

Georg Hobmeier

3. The Bleeding Self in Digital Performance Practice: artistic challenges in digital media practice

Lorna Moore

4. Making Speculative Technologies

Kristina Anderson

5. Construction of processes to live audiovisual performance

Ana Carvalho

6. NO PLACE: Presence, Performance and Virtuality

Kate Genevieve

7. Imagination, Art and Reality

Ben Bogart

Theme 2: Collaborations

8. Cultivating permaCultural resilience (pCr) : The permaCultural dérive as an Itinerant’s approach to a techne of becoming

Anita McKoewn

9. The Immanent Researcher

Kate Sicchio

10. Temporal Scaffolding: A collaborative and networked infrastructure of techne, screendance, AR, affect, place and smart mobile devices in the project AffeXity

Jeannette Ginslov

11. Neurocinematics: the first hand experience of a filmmaker in collaboration with neuroscientists

Pia Tikka

12. Shifting Our Horizons: Exploring Mobility In Micro Production & Floating Exhibition

Max Schleser and Antony Nevin

Theme 3: Shared Knowledge:

13. Sharing Knowledge through Networked Collaboration

Helen Varley Jamieson

14. Methodologies of Risk and Experimental Prototyping

Nancy Mauro-Flude

15. Behind the Idea and meta models for creativity

Alison Williams

16. Mass Colla

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Camille C Baker is a Reader in the School of Communication Design, University for the Creative Arts, Epsom, UK. She is a media artist/curator/Reader in digital media with recent work in participatory mobile and sensor performance using wearable technologies, now exploring creative coding and electronic development for smart-fashion projects. She explores new mechanisms to elicit engaging experiences using evolving approaches to participatory performance. Her website is

Kate Sicchio is Visiting Assistant Professor, Integrated Digital Media, New York University, USA. She works at the interface of technology and choreography. Her work includes performances, installations, web and video projects. She has presented work internationally across the US, Canada, Germany, Australia, Belgium and the UK at venues such as the V&A (London), EU Parliament (Brussels), Banff New Media Institute (Banff) and Arnolfini Art Centre (Bristol UK). Her website is