1st Edition

Iranian National Cinema The Interaction of Policy, Genre, Funding and Reception

By Anne Demy-Geroe Copyright 2020
224 Pages 15 B/W Illustrations
by Routledge

222 Pages 15 B/W Illustrations
by Routledge

222 Pages 15 B/W Illustrations
by Routledge

This book examines transformations in the production and domestic and international reception of Iranian cinema between 2000 and 2013 through the intersection of the political markers – the presidential terms of Reformist president Mohammad Khatami and his successor, the conservative Mahmoud Ahmadinejad – and filmic markers, particularly Jafar Panahi’s The Circle (2000) and Asghar... Read more

Introduction

1. Making ‘Constructive’ Films: Generic Themes and Modulations

2. Iranian Cinema Means the Middle Classes...

3. New Iranian Cinema and the International Festivals

4. Film Festivals and Festival Films: an Iranian Perspective

5. Cinema is a Weapon: Combatting the Soft War

6. Culture is not a form of entertainment

Conclusion - Our art will remain the same

Bibliography

Filmography

Biography

Anne Démy-Geroe was the inaugural Artistic Director of the Brisbane International Film Festival for eighteen years and for seven years a co-Director at the Iranian Film Festival Australia. A Vice President of NETPAC, inaugural member of the Asia Pacific Screen Awards Nominations Council, and a director of the Asia Pacific Screenlab, she was awarded an Australian Centenary Medal for services to the film industry in 2003. She now lectures on Asia Pacific Cinema at Griffith Film School, Griffith University, Australia.