1st Edition

James Shirley and Early Modern Theatre
New Critical Perspectives

Edited By

Barbara Ravelhofer





ISBN 9780367736781
Published December 18, 2020 by Routledge
248 Pages

USD $48.95

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Book Description

James Shirley was the last great dramatist of the English Renaissance, shining out among other luminaries such as John Ford, Ben Jonson, or Richard Brome.



This collection considers Shirley within the culture of his time, and highlights his contribution to seventeenth-century English literature as poet and playwright. Individual essays explore Shirley’s musical theatre and spoken verse, performance conditions, female agency and politics, and the presentation of his work in manuscript and print. Collectively, the essays assemble a larger picture of Caroline drama, showing it to be more than simply a nostalgic endgame, its poets daintily sipping hemlock on the eve of the Civil Wars.



Shirley’s literary versatility and long life, spanning the last days of Queen Elizabeth I to the ascension of Charles II, make him an ideal writer through whom to examine the distinctive qualities of Caroline theatre.

Table of Contents

Contents





 



Introduction



Barbara Ravelhofer

 

Time for James Shirley



Jeremy Lopez

 

The Comic and the Apocalyptic in Shirley’s Drama



Rebecca Hasler

 

‘And you meane to rise at court, practise to caper’:



The Representation of the Court in James Shirley’s Plays, 1631-36



Peter Happé

 

Rebellion in Arcadia: Caroline Anti-Militarism in Dramatic Adaptations of Sidney



Rachel Ellen Clark

 

A Conflict More Fierce than Many Thousand Battles: Staging the Politics of Treason and Allegiance in James Shirley’s Maritime Plays, The Young Admiral and The Court Secret



Rebecca Bailey

 

Shirley’s Tragedies



Barbara Ravelhofer

 

Shirley’s Dublin Days: A Nervous Première of St. Patrick for Ireland



Robert Lublin

 

Papers Most Foul: The Melbourne Manuscript and the ‘Foul Papers’ Debate



Dan Starza Smith

 

Plotting Paratexts in Shirley’s The Politician



Jitka Štollová

 

The Drama of Shirley’s Poems



Philip West

 

Music in the Work of James Shirley



Andrew Ashbee

 

Versification from Shakespeare to Shirley: Implications for Performance



Marina Tarlinskaja

 

Bibliography

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Editor(s)

Biography

Barbara Ravelhofer is Professor of English Literature at Durham University and a general editor on The Oxford Complete Works of James Shirley. Her publications include The Early Stuart Masque: Dance, Costume, and Music (2006).