1st Edition
Joseph Conrad and the Intersection of Narrative, Epistemology, and Cosmology
Introduction
1 Stein’s Collections: Order and Chaos in Lord Jim
2 The Opaque and the Clear: The White Fog Incident in Conrad’s Heart of Darkness
3 Mirrors and Monies: Constructing and De-Constructing Revolution in Mariano Azuela’s Los de abajo and Joseph Conrad’s Nostromo
4 Joseph Conrad’s Heart of Darkness and the World of Western Women
5 Joseph Conrad’s Literary Response to the First World War
6 “Let that Marlow talk”: Chance and the Narrative Problem of Marlow
7 Point of View in Conrad’s Heart of Darkness and the Ultimate Uncertainty of Knowledge
8 Joseph Conrad and the Epistemology of Space
9 The Space of Russia in Joseph Conrad’s Under Western Eyes
10 Environmental Imperialism in Joseph Conrad’s Nostromo
11 “Meet the new boss / Same as the old boss”: The Politics of Replication and Conrad’s Politics of Humanity
12 “I know that the sunlight can be made to lie”: Light and Dark in Heart of Darkness Revisited
13 Free Will or Determinism in Conrad’s Cosmos
Conclusion
Biography
John G. Peters is University Distinguished Research Professor of English at the University of North Texas.






