Acknowledgements
PART 1: Jung’s view of Picasso, modern art and the modern era
1—Introduction
2—Jung and the Picasso essay of 1932
3—Jung’s view of the modern era
4—Jung and the ‘schizoid’ expression in modern art
5—Jung’s letter to Herbert Read (1960)
6—Jung’s approach to his ‘confrontation with the unconscious’
Part 1 Conclusion: Chapters 1-6
PART 2: Jung’s Red Book paintings and misinterpretation of modern art
7—Jung’s collection of art and his own paintings
8—Jung and the anima
9—Jung and mandalas
10—Jung’s misinterpretation of modern art
Part 2 Conclusion: Why Jung and Modern Art Matters
Bibliography
Biography
Lucinda Hill is a postdoctoral research fellow at Bangor University (UK) and has a PhD in philosophy. She is also a practising abstract artist.
