1st Edition

Killing Hercules Deianira and the Politics of Domestic Violence, from Sophocles to the War on Terror

By Richard Rowland Copyright 2017
352 Pages
by Routledge

356 Pages 4 Color & 11 B/W Illustrations
by Routledge

352 Pages 4 Color & 11 B/W Illustrations
by Routledge

This book offers an entirely new reception history of the myth of Hercules and his wife/killer Deianira. The book poses, and attempts to answer, two important and related questions. First, why have artists across two millennia felt compelled to revisit this particular myth to express anxieties about violence at both a global and domestic level? Secondly, from the moment that Sophocles disrupted a... Read more

List of Illustrations



Acknowledgments



Preface



Chapter 1: The Trachiniae of Sophocles



Chapter 2: Hurting Inside(s): Hercules and Deianira in Ancient Rome



Chapter 3: Wrestling with Hercules in the Middle Ages



Chapter 4: Dalliance and Puddinges: Translating Herculean Marriage in/to Post-Reformation England



Chapter 5: Baroque and Berserk: from the King’s Execution to the King’s Theatre



Chapter 6: ‘After Sophocles’: Deianira and the ‘War on Terror’



Appendix. Translation: The Women of Trachis



Bibliographies



Index

Biography

Richard Rowland is Senior Lecturer in Drama in the Department of English and Related Literature at the University of York. He has edited plays by George Chapman and Ben Jonson for the Penguin Dramatists series, Christopher Marlowe’s Edward II for the Oxford University Press Complete Works, and Edward IV for the Revels series (Manchester University Press). He is also the author of The Theatre of Thomas Heywood, 1599-1639: Locations, Translations and Conflict (2010).

"Throughout the book, Rowland shows remarkable erudition. Not only does he navigate an ocean of primary sources from classical antiquity to the twenty-first century, but he provides abundant documentation on each source and period, engaging with critical traditions, combining methodologies and offering many new readings."

- Charlotte Coffin, Universite Paris-Est Creteil - Cahiers Elisabethains