1st Edition

Lacanian Psychoanalytic Writings The Littoral Word

Edited By Megan Williams Copyright 2026
236 Pages 29 B/W Illustrations
by Routledge

236 Pages 29 B/W Illustrations
by Routledge

236 Pages 29 B/W Illustrations
by Routledge

Lacanian Psychoanalytic Writings: The Littoral Word presents cutting-edge Lacanian psychoanalytic thought by leaders in the field. Each chapter is written by authors who, in one way or another, take up Jacques Lacan’s observation that each psychoanalysis invents psychoanalysis anew. They bring to the field not an orthodoxy but a rigorous singularity which continues to be pertinent to what... Read more

About the editor and contributors

 

Logos

Megan Williams

 

Part I: Madness

 

Chapter 1. Vale Rodney Kleiman (28/12/1957–23/08/2024)

David Pereira

 

Chapter 2. Believing in madness

Rodney Kleiman

 

Chapter 3. Believing in Ondine

Debbie Plastow

 

Chapter 4. The madness of the analyst

Peter Gunn

 

Part II: Disavowal … not without anxiety

 

Chapter 5. Lacan’s Sadean reading of jouissance

Linda Clifton

 

Chapter 6. Me too: I know nothing

Megan Williams

 

Part III: In praise of hysteriaSymposium in honour of Moustapha Safouan

 

Chapter 7. Introducing the work of Moustapha Safouan: a writing of letters—de lettres

Tine Nørregaard

 

Chapter 8. The politics of hysteria—Safouan and the question of power

Christiane Weller

 

Chapter 9. Why the subject is not free?

Michael Gerard Plastow

 

Chapter 10. For the love of Safouan: transference and identification in the Freudian school

David Pereira

 

Part IV: Beyond organisation—real erotics of the word

 

Chapter 11. A slice of the word

David Pereira

 

Chapter 12. Strange effects

Shubha Gokhale

 

Chapter 13. Of words; their substance and seductions

David Pereira

 

Chapter 14. Beyond the word surface: reading Beckett’s Comment c’est/How It Is as real writing

Peter Gunn

 

Chapter 15. Beyond the pale

Megan Williams

 

Chapter 16. The Winds: fragment of a possible novel

Sabina Spielrein

 

Part V: Translation of Ou il y a symptôme et sinthome by Jean Allouch

 

Chapter 17. Introduction to the translation of Où il y a symptôme et sinthome by Jean Allouch             

Tine Nørregaard

 

Chapter 18. Ou il y a symptôme et sinthome

Jean Allouch

 

Chapter 19. Where there is symptom and sinthome

Jean Allouch

 

Part VI: Cartel on the translation of Où in y a symptôme et sinthome

 

Chapter 20. Introducing the cartel on the work of translation of Où il y a symptôme et sinthome by Jean Allouch

Tine Nørregaard, Michael Gerard Plastow, and Megan Williams

 

Chapter 21. The plus one and the intersinthomatic of transference

Tine Nørregaard

 

Chapter 22. Drifting

Megan Williams

 

Chapter 23. There is no sexual relation, and the social bond

Michael Gerard Plastow

 

Part VII: Melbourne Seminars of Christian Fierens 2019

 

Chapter 24. Introduction to four seminars by Christian Fierens

Debbie Plastow, Editor of the Fierens Papers

 

Chapter 25. Reality and truth

Christian Fierens

 

Chapter 26. Sexuality and narcissism

Christian Fierens

 

Chapter 27. Symptom and sinthome

Christian Fierens

 

Chapter 28. Enjoyment and sexual disorientation

Christian Fierens

Biography

Megan Williams is a psychoanalyst of more than 30 years’ standing, based in Australia. She is an Analyst of the School of the Freudian School of Melbourne and practises psychoanalysis in Melbourne as well as giving seminars. She has published numerous articles in psychoanalysis and has a particular interest in writing.

“The strength of the volume is that it is based in clinical practice, while remaining richly scholarly/theoretical in terms of conceptual apparatus and textual engagement. To those who ask if its ideas are practical, I would reply that clinical practice in the highly poetic field of psychoanalysis can only be enriched by the encounter with original and unabashed thinking, which sparks new energies and avenues in the reader, none of which reactions are predictable in advance, or even likely to be common among a given cohort. In this regard, the volume strikes me as eminently practical, but not in the manner of a recipe.” - Paul Magee, Professor of Poetry, Centre for Creative and Cultural Research, University of Canberra