1st Edition
Law, Lawyers and Justice Through Australian Lenses
Preface
List of Contributors
Part I The unsettled law and justice of Australia
Chapter 1 Australian lenses on law, lawyers and justice
Kim D. Weinert, Karen Crawley and Kieran Tranter
Chapter 2 Crime drama and national identity on Australian television, 1960–2019
Cassandra Sharp
Chapter 3 Whose country? Colonialism and the rule of law in Sweet Country and Charlie’s Country
Jack Quirk and Julian R. Murphy
Chapter 4 Taking a lens to the chase in Australian settler state colonialism
Thalia Anthony and Kieran Tranter
Chapter 5 Vilification, vigilantism and violence: troubling social media in Australia
Chris Cunneen and Sophie Russell
Chapter 6 Picnic at Hanging Rock: Coming of age as a girl in the Gothic colonial institution
Penny Crofts and Honni van Rijswijk
Chapter 7 Haunted colonialism: space, place and colonialism in The Babadook
Pauline Klippmark
Chapter 8 Being engaged in colonial critique by Mojo Juju's 'Native Tongue'
Kirsty Duncanson
Part II Australian gendered identities and law
Chapter Nine Rake and Rumpole – mavericks for justice: purity and impurity in legal professionalism
John Flood
Chapter 10 Cleaver Greene: the legal larrikin on Australian screens
Lili Pâquet
Chapter 11 Eyes wide shut: homosociality, justice and male rape through an Australian lens
Bruce Baer Arnold
Chapter 12 Romper Stomper: a critique of neoliberalism in Australia
Kim D. Weinert
Chapter 13 Justice at the end of Fury Road
Kieran Tranter
Chapter 14 Going bunta on Western law: violent jurisdictions, melodrama and the Australian carceral imaginary in Wentworth
Laura Joseph and Honni van Rijswijk
Biography
Kim D. Weinert is a PhD candidate at Griffith Law School, Griffith University.
Karen Crawley is a senior lecturer at Griffith Law School, Griffith University.
Kieran Tranter is Chair of Law, Technology and Future in the School of Law, Queensland University of Technology.
