© 2017 – Routledge
242 pages | 70 B/W Illus.
For the first hundred years or so of their history, public libraries in Britain were built in an array of revivalist architectural styles. This backward-looking tradition was decisively broken in the 1960s as many new libraries were erected up and down the country.
In this new Routledge book, Alistair Black argues that the architectural modernism of the post-war years was symptomatic of the age’s spirit of renewal. In the 1960s, public libraries truly became ‘libraries of light’, and Black further explains how this phrase not only describes the shining new library designs – with their open-plan, decluttered, Scandinavian-inspired designs – but also serves as a metaphor for the public library’s role as a beacon of social egalitarianism and cultural universalism.
A sequel to Books, Buildings and Social Engineering (2009), Black's new book takes his fascinating story of the design of British public libraries into the era of architectural modernism.
A thoroughly grounded, beautifully illustrated, and superbly researched effort that connects the developments of the welfare state and civic architecture in post-World War II Great Britain within a discussion of the construction of Sixties public library buildings. Black identifies the conflicts and compromises (most were successful, some not) struck between proponents of management efficiency and advocates for physical attraction that 60s librarians, ironically, often resisted.
- Wayne A. Wiegand, Florida State University, USA
Preface & Acknowledgements
Chapter 1 The Long Journey to Libraries of Light
Chapter 2 Modernisation and Modernism: The Post-War Public Library and the Revolution in its Built Form
Chapter 3 Style, Siting and Space
Chapter 4 Flagship Libraries: Intersections of Style, Siting, Space and Light
Chapter 5 Holborn Central Library: Scandinavia ‘Light’
Chapter 6 Hampstead Central Library: Into the Light
Chapter 7 Bourne Hall Library: Light from Space
Chapter 8 Birmingham Central Library: Light from Within