1st Edition

Literature, the Gothic and the Reconstruction of History The Past as Nightmare

Edited By Daniel Renshaw, Neil Cocks Copyright 2025
238 Pages 4 B/W Illustrations
by Routledge

238 Pages 4 B/W Illustrations
by Routledge

238 Pages 4 B/W Illustrations
by Routledge

In the Gothic, nothing stays buried for long. Since its inception in the mid-eighteenth century, the Gothic imagination has been concerned with the pasts of the societies from which it emerged. This collection, featuring contributions from archivists, historians and literary critics, examines how horror fiction and the wider Gothic mode have engaged with the constructed conception of "history".... Read more

List of Contributors

Acknowledgements

Introduction - Daniel Renshaw and Neil Cocks

Part I. The Prehuman and Prehistoric

Chapter 1. Gothic Nightmares of Prehistory: How the Victorian Imagination Gave Birth to Dinosaurs as We Know Them - Charles Hoge

Chapter 2. Natural History vs. Human History: The Scary Return of the Past in Fortitude - Mariaconcetta Costantini

Part II. The Medieval and the Early Modern

Chapter 3. “’Tis a fearful height!”: Temporal and Physical Vertigo in Eighteenth-Century Gothic Plays - Carolyn D. Williams

Chapter 4. “Embodied, to the eye of Fear”: Affective Encounters and Antiquarian Mediation in Anne Bannerman’s Tales of Superstition and Chivalry - Zoë Van Cauwenberg

Chapter 5. An Inheritance of Witches: William Harrison Ainsworth’s Uses of the Medieval in The Lancashire Witches - Alex Carabine

Chapter 6. Winterson’s Witches: A Reappraisal and Reclamation of the Abject - Joolz Barry

Part III. The Long Nineteenth Century

Chapter 7. Human Remains and/in Gothic Nightmares: Revisiting the Past? - Laurence Talairach

Chapter 8. “The Pretence of Civilisation”: Gothic Progress in G. W. M. Reynolds’s The Mysteries of London - Hayley Braithwaite

Chapter 9. The Gothic Nature of Archives and the Work of M.R James and Henry James - Susan Maxwell

Chapter 10. Transnational Gothic Histories and the Migrant Experience in Britain - Daniel Renshaw

Part IV. The Modern

Chapter 11. The Haunting of the Past in Contemporary Italian Gothic Fiction - Andrea Suverato

Chapter 12. History, Haunting through the Layers in Contemporary Staged Ghost Stories - Vicky Brewster

Chapter 13. “The Historical Text as Literary Artifact,” or Reading History as Gothic: Identity, Event, Time - Bonnie McGill

Index

Biography

Daniel Renshaw is Lecturer in Modern History in the Department of History at the University of Reading, UK. His research focuses on migration, diaspora, prejudice and identity in the nineteenth and twentieth centuries.

Neil Cocks is Associate Professor in the Department of English Literature at the University of Reading, UK. He has published widely on subjects as diverse as Victorian literature, children’s literature, Ayn Rand, critical university studies, film theory and the Gothic.