1st Edition
Live Looping in Musical Performance Lusophone Experiences in Dialogue
List of Contributors
Acknowledgements
Introduction – Alexsander Duarte and Susana Sardo
PART I Auto-ethnographic experiences (from the lab)
1 From the studio to the stage: Reflections on live looping and instrumentality through the performance of Import/Export: Percussion Suite for Global Junk by Gabriel Prokofiev – Luís Bittencourt
2 HASGS: Its repertoire using live looping – Henrique Portovedo
3 Interaction and reaction: Reflections about performance, composing, and live looping – Iury Matias de Sousa
4 Viola Sertaneja and live looping in the performance of Antônio Madureira’s Repente – Erik Pronk
5 Quasitude: The processes and methods of the composition work for xylophone and live looping – Helvio Mendes and Samuel Peruzzolo Vieira
6 Densus Bridge: For trumpet and live electronics (live looping and effects) – Elielson da Silva Gomes and Alexsander Duarte
7 Perhaps the loop station is not the point – José Valente
PART II Collaborative writing experiences (from the field)
8 Creating atmospheres with LL: The forms of creativity of Tiago Oliveira – Melina Aparecida dos Santos Silva, José Cláudio Siqueira Castanheira and Tiago Oliveira
9 The loop pedal and the guitar – individual practice and its connection to sociality – Ricardo Jorge Monteiro Cabral and Jorge Vicente dos Santos Almeida
10 Taking the live out of looping – composing with the loop pedal – Aoife Hiney and Isabel Novella
11 The one and the many: Interview with Portuguese singer and songwriter Joana Lisboa – Samuel Peruzzolo Vieira and Joana Lisboa
Index
Biography
Alexsander Duarte is currently working as a Lecturer at the Federal University of Pará (UFPA) in Belém, Brazil. He is also a researcher at the "Music and Identity in the Amazon" Research Group at UFPA and a collaborator at the Institute of Ethnomusicology – Center for Studies in Music and Dance (INET-md), University of Aveiro, Portugal. As a musician and ethnomusicologist, his academic activities include concerts, as well as the publication of various forms of research output, such as CDs, ethnographic documentaries, articles, books, book chapters, and musical scores. His research interests encompass popular music in Lusophone territories, Intangible Cultural Heritage, and the application of audio technologies in sound production. As a postdoctoral researcher, he established LoopLab, a laboratory dedicated to live looping experimentation at the University of Aveiro.
Susana Sardo is Associate Professor of Ethnomusicology at the University of Aveiro in Portugal and Visiting Professor at Goa University in India, for the Cunha Rivara Chair. Her research interests include music and post-colonialism, sound archives, music in the Lusophone world, and the intersection of music and post-dictatorship regimes. Since 2013 she has been actively engaged in promoting shared research practices in ethnomusicology using research as a means for social transformation in the field. Susana Sardo is also the co-chair of the Study Group of Historical Sources for the International Council for Traditional Music (ICTM). In 2007, she founded the University of Aveiro branch of the Institute of Ethnomusicology – Research Center for Music and Dance (INET-md), which she coordinated until January 2023.
