Location and Postproduction Sound for Low-Budget Filmmakers: 1st Edition (Paperback) book cover

Location and Postproduction Sound for Low-Budget Filmmakers

1st Edition

By Michael Tierno

Routledge

212 pages | 55 Color Illus.

Purchasing Options:$ = USD
Paperback: 9780367354244
pub: 2020-05-25
Available for pre-order. Item will ship after 25th May 2020
$42.95
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Hardback: 9780367354251
pub: 2020-05-25
Available for pre-order. Item will ship after 25th May 2020
$155.00
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Description

This book covers everything you need to know to master the fundamentals of location sound recording and post-production sound in a comprehensive one-stop guide.

This user-friendly book provides real world situations to analyse the many kinds of location recording configurations and post-production scenarios and offers easy-to-adopt, budget-conscious solutions to some of the most common issues that arise when working with sound. Chapters cover the theory of sound, preproduction with a sound emphasis, microphone selection, testing equipment, how to boom and mix on set, synchronization and time code, and editing sound while doing a picture cut in a traditional picture software platform. Additionally, it discusses bringing a project into a Digital Audio Workstation, and explores basic sound design, dialogue editing, ADR, Foley, sound effects, music for film, re-recording the final mix, and outputting sound to finish a project. Accompanying exercises allow readers the opportunity to try out the various techniques and drills on location, in post-production, or both.

Perfect for student, early career and independent filmmakers, as well as those considering a vocation in location and post-production sound, this book makes achieving great sound attainable for all and is an invaluable tool for anyone wanting to better understand the art of film sound.

Table of Contents

1 The Modern Filmmaker. 2 Tech Concepts You Need To Understand. 3 Location Sound Recording: The Basics. 4 Location Recording Microphone Basics. 5 Configurations of Location Recording Set Ups. 6 Train Your Ears…Learn Your Gear…Test Your Devices All The Way Through To Your Final Intended Output. 7 Location Sound Recording – Preparing For The Shoot. 8 Booming And Mixing Techniques. 9 More Asset Gathering When Location Sound Recording, Or What You Need To Come Away With (Hint: It’s Not Just Great Sounding Dialogue). 10 Location Sound Recording In Practice – Specimen Film – Turn Back Night. 11 Sound Post-Production – An Introduction To Sound Editing. 12 Sound Post-Production That Starts In The Picture Edit Stage. 13 Sound Editing And Mixing In Your Editing Application. 14 Organizing Your Picture Cut For Exporting To Your DAW. 15 The Basic Sound Design Project Structure. 16 Let’s Talk Deeper About Dialogue Editing. 17 Automated Dialogue Replacements (ADR) – Yes You Too Will Need Some Of It – Sound Editing That Requires Looping Or "Comping". 18 To Foley Or Not To Foley. 19 It’s All For Effect – An Overview On The Creation, Uses, Abuses, And Editing of Sound Effects In Film. 20 Music Getting It Right And Left. 21 Putting It All Together…Sample Sound Edit/Mix

About the Author

Michael Tierno is a former Miramax Story analyst and an independent writer/director/editor of feature films. He is author of the best-selling book Aristotle’s Poetics for Screenwriters and has made four feature films including Turn Back Night, a sci-fi comedy. He is Associate Professor of Film Production at East Carolina University.

Subject Categories

BISAC Subject Codes/Headings:
PER004000
PERFORMING ARTS / Film & Video / General
PER004050
PERFORMING ARTS / Film & Video / Screenwriting
PER010000
PERFORMING ARTS / Television / General
TEC001000
TECHNOLOGY & ENGINEERING / Acoustics & Sound