Made in France: Studies in Popular Music serves as a comprehensive introduction to the history, sociology, and musicology of contemporary French popular music. The volume consists of essays by scholars of French popular music, and covers the major figures, styles, and social contexts of pop music in France. The book first presents a general description of the history and background of popular music in France, followed by essays that are organized into thematic sections: The Mutations of French Popular Music During the "Trente Glorieuses"; Politicising Popular Music; Assimilation, Appropriation, French Specificity; and From Digital Stakes to Cultural Heritage: French Contemporary Topics.
Introduction: What’s the French Touch in French Popular Music? A sociohistorical introduction to chanson and other French repertoires (Gérôme Guibert)
Part I: Zeitgeist. The mutations of French popular music during the "30 glorieuses"
Preamble I: Introduction (Gérôme Guibert and Catherine Rudent)
1. Yéyé covers or the keynote to a societal adaptation (Matthieu Saladin)
2. Juvenile delinquency, social unrest and national anxiety French debates and controversies over rock’n’roll in the 1960’s and 1970’s (Florence Tamagne)
3. "Lost song": Serge Gainsbourg and the transformation of French popular music (Olivier Julien)
4. The record industry in the 1960-1970s: The forgotten story of French popular music (Marc Kaiser)
Part II: Politicizing popular music
Preamble II (Gérôme Guibert and Catherine Rudent)
5. Aural wars: Race, class, politics and the dilemmas of free jazzmen in sixties France (Jedediah Sklower)
6. Marche ou crève: The band Trust and the singular case of the birth of French heavy metal (Gérôme Guibert)
7. Rock, race and the republic: Musical identities in post-colonial France (Barbara Lebrun)
Part III: Assimilation, appropriation, French specificity
Preamble III (Gérôme Guibert and Catherine Rudent)
8. Chanson française: Between musical realities and social representations (Cécile Prévost-Thomas)
9. Chanson française: A genre without musical identity (Catherine Rudent)
10. Rap audiences in France: The diversification and heterogenization of the appeal of rap music (Stéphanie Molinero)
11. Towards a greater appreciation of the poetry of French rap (Christian Béthune)
12. Punk rock entrepreneurship in France (Fab
The Routledge Global Popular Music Series provides popular music scholars, teachers, students, and musicologists with a well-informed and up-to-date introduction to different world popular music scenes. The series of volumes can be used for academic teaching in popular music studies, or as a collection of reference works. Written by those living and working in the countries about which they write, this series is devoted to popular music largely unknown to Anglo-American readers.