1st Edition

Marie Corelli: Modernism, Morality, and Metaphysics

Edited By Carol Margaret Davison, Elaine M. Hartnell Copyright 2020
156 Pages
by Routledge

156 Pages
by Routledge

156 Pages
by Routledge

This collection reappraises and retheorizes Marie Corelli’s diverse fictional writings and locates them in their contemporary literary and social context. Marie Corelli (1855-1924) was a fabulously popular novelist in the late-nineteenth and early-twentieth centuries. Yet, in her day, critics railed against her taste for sentimentality, melodrama, supernatural worlds, and overt... Read more

1. Introduction – Marie Corelli: A Critical Reappraisal

Carol Margaret Davison and Elaine M. Hartnell

2. Moral Uncertainty and the Afterlife: Explaining the Popularity of Marie Corelli’s Early Novels

Nickianne Moody

3. The Corellian Romance contra Modernity: The Treasure of Heaven and Innocent

Martin Hipsky

4. ‘‘Je t’aime . . . moi non plus’’: Deconstructing Love in Open Confession to a Man from a Woman

Julia Kuehn

5. The Genius in Ardath: The Story of A Dead Self

Alisha Siebers

6. Marie Corelli’s Best-selling Electric Creed

Robyn Hallim

7. Morals and Metaphysics: Marie Corelli, Religion and the Gothic

Elaine M. Hartnell

8. Marie Corelli’s Barabbas, The Sorrows of Satan and Generic Transition

Benjamin F. Fisher

Biography

Carol Margaret Davison is Professor of English Literature at the University of Windsor in Ontario, Canada. She is the author of History of the Gothic: Gothic Literature, 1764-1824 (2009) and Anti-Semitism and British Gothic Literature (2004). She has edited several books and dozens of articles and book chapters on Gothic literature.





Elaine M. Hartnell is currently teaching English at the University of Tabuk, Saudi Arabia. She is the author of Gender, Religion and Domesticity in the Novels of Rosa Nouchette Carey (2000) and of numerous articles and chapters on Victorian literature, the Gothic, and domestic fiction.