Art history has enriched the study of material culture as a scholarly field. This interdisciplinary volume enhances this literature through the contributors' engagement with gender as the conceptual locus of analysis in terms of femininity, masculinity, and the spaces in between. Collectively, these essays by art historians and museum professionals argue for a more complex understanding of the relationship between objects and subjects in gendered terms. The objects under consideration range from the quotidian to the exotic, including beds, guns, fans, needle paintings, prints, drawings, mantillas, almanacs, reticules, silver punch bowls, and collage. These material goods may have been intended to enforce and affirm gendered norms, however as the essays demonstrate, their use by subjects frequently put normative formations of gender into question, revealing the impossibility of permanently fixing gender in relation to material goods, concepts, or bodies. This book will appeal to art historians, museum professionals, women's and gender studies specialists, students, and all those interested in the history of objects in everyday life.
"Materializing Gender in Eighteenth-Century Europe is a great resource for specialists in eighteenth-century European art and culture as well as those whose methodological interest in material culture studies and gender will bring them to a new focus on the eighteenth century. This fine volume of essays offers thoughtful interpretations of how gender - both masculinity and femininity - is made manifest in material goods and their representations, consistently pointing out the role of these is not only in reflecting, but also constructing the gendered self."
- Denise Amy Baxter, University of North Texas, USA
"This edited volume of essays is especially welcome for its shared emphasis on men and women under the rubric of gender. It incorporates a dazzling selection of objects from across eighteenth-century Europe that includes guns, fans, silver, embroidery and furniture. With many contributions from early career scholars, the status of material culture in art historical study has never looked more buoyant."
- Victoria Coltman, University of Edinburgh, UK
"This collection presents a variety of perspectives on how and why objects shaped different gender codes, constraints, and even opportunities. (...) the vivid examples developed here — especially those by Freund, Lindeman, Williams, and Strobel — invite us to think rigorously about the kinds of objects assembled under the broad umbrella of material culture studies and how their surfaces and substances continue to open up the past. Germann and Strobel’s collection manages to advance the field and should appeal to its primary audience of art historians, but also more generally to those drawn to social history, travel, and the mercurial world of things."
- Early Modern Women: An Interdisciplinary Journal