1st Edition

Mathematics and the Craft of Thought in the Anglo-Dutch Renaissance

  • Available for pre-order. Item will ship after September 30, 2021
ISBN 9780367345327
September 30, 2021 Forthcoming by Routledge
304 Pages 19 B/W Illustrations

USD $160.00

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Book Description

Geometry had a mercurial nature in the sixteenth century. Transmitted from antiquity in the form of Euclid’s Elements, it was many years before geometry moved from the scholastic sphere and before its language and logic began to be used in an explicitly practical context. In 1570, Henry Billingsley translated Euclid’s Elements into the English vernacular. In 1604, Jan Pieterszoon Dou followed suit and produced the first translation in the Dutch vernacular. These were both seminal moments in what is now known as the scientific revolution, but they were also part of a broader shift towards the establishment of geometry as a practical and analytical tool. Mathematics and the Craft of Thought in the Anglo-Dutch Renaissance sheds light on the remarkable culture shift that occurred around the turn of the seventeenth century, and on the geometrical imagination which followed. It shows how the visual language of early modern European geometry was constructed by borrowing and quoting from contemporary visual culture. Practical geometry in this period was built out of craft metaphors. The verbal and visual language of this form of mathematics, far from being simply immaterial, is designed to tantalize with material connotations.

Table of Contents

Introduction: Crafting Thought

1. The Early Modern Picture/Beeld

2. Point

3. Line

4. Surface

5. Body

Conclusion: Thought Crafted

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Eleanor Chan is Leverhulme Early Career Fellow in the Music department at the University of Manchester. Her work focuses on the interaction between word, image and notation in early modern Europe, with a particular interest in the musical and the mathematical. She received her PhD in History of Art from the University of Cambridge and has published widely, with articles on the visual implications of the English cadence, the interdisciplinary interaction between music and art in the English Renaissance, Anglo-Dutch geometry and realism, the Amsterdam city harpsichord case and mathematical visual culture, and the competing editions of Descartes' anatomical treatise.