1st Edition

Michael Costa: England's First Conductor The Revolution in Musical Performance in England, 1830-1880

By John Goulden Copyright 2015
244 Pages
by Routledge

244 Pages
by Routledge

244 Pages
by Routledge

Among the major changes that swept through the music industry during the mid-nineteenth century, one that has received little attention is how musical performances were managed and directed. Yet this was arguably the most radical change of all: from a loose control shared between the violin-leader, musical director and maestro al cembalo to a system of tight and unified control under a... Read more

Costa's background and personality.  Conducting prior to 1830. Costa's system.  Costa as a conductor.  Opera. Concerts, oratorios and festivals.  Costa's reputation and legacy.  Reassessment.

Biography

Sir John Goulden retired in 2000 from a distinguished career in the British Diplomatic Service, during which he served as Ambassador to Turkey and Permanent Representative to Nato (1995-2000). On retirement he began to pursue his interest in the revolution in musical performance during the early nineteenth century and the role in this of the conductor and composer Michael Costa. He was awarded a PhD in musicology in 2012.

'This is a learned survey of how the conductor gained importance and control, and uses Costa as an example. It dissects his relationships with  concert-giving organisations throughout the country'
- Christopher Morley, Birmingham Post

"This is an important and timely book."