'… love creates something that was not there before.' – Hedwig
John Cameron Mitchell and Stephen Trask’s Hedwig and the Angry Inch opened on Valentine’s Day,1998, in New York City, and ever since, it and its genderqueer heroine have captivated audiences around the world. As the first musical to feature a genderqueer protagonist as its lead, the show has had an extraordinary life on film, Broadway and in the music field. A glam rock musical with a complex relationship to issues related to art, eroticism and matters of identity formation, Hedwig and the Angry Inch is a darkly exuberant fairy tale about a child that discovers she is one of a kind, but also potentially among her own kind, if she dares travel past borders that confine and try to stabilise her being and identity.
Caridad Svich examines this exhilarating work through the lenses of visual and vocal rock ’n’ roll performance, the history of the American musical, and its positioning within LGBTIQ+ theatre.
Table of Contents
Introduction 1. Queer downtown 2. Rock ’n’ roll, whiteness and all that drag 3. A fable of a musical 4. Her/story 5. Reality’s show Bibliography Index
Caridad Svich is a playwright and theatre-maker. She is Associate Editor for Contemporary Theatre Review and has authored or edited several books on theatre and performance, including Fifty Playwrights on Their Craft (2017) and Audience Revolution (2016). She received the 2012 OBIE for Lifetime Achievement, and the 2018 Ellen Stewart Award for Career Achievement in Professional Theatre from the Association for Theatre in Higher Education.