Part 1: Get it Right from the Start 1. What is Mixing? Part 2: Mixing Bootcamp - Getting the Most Out of Our Tools and Ourselves 2. Interacting with the Multitude of Tools 3. From Theory to Practice 4. Developing Advanced Ear Sensitivity 5. Setting up your Listening Environment 6. The Power of References 7. Workflow 8. The PRE-MIX Preparation Part 3: Creative Problem Solving – Inside the Mix 9. Not Everything Can Be Front and Centre 10. Clean it Up 11. Don’t Get Stuck in the Mud 12. Fighting for Attention 13. More Power! 14. Thicken Up the Sauce 15. Let’s Get This Party Started 16. Low-End Theory 17. I Feel it All Around Me 18. They Only Listen to the Vocals Anyway 19. Take Me on a Journey! Part 4: Important Next Considerations 20. Preparing For a Mix - Moving from Production to Mixing 21. The Role of a Mix Engineer in the Collaborative Process 22. Psychoacoustics 23. Aesthetics and Individual Mixing Style 24. Mixing Whilst Producing 25. Mix Bus Processing 26. Loudness 27. Impact of AI on Mixing 28. Spatial Mixing - Mixing Beyond Stereo
Biography
Jane Arnison is a multi-disciplinary sound professional with a career spanning popular and experimental music. Her expertise combines a conservatoire-based music bachelor’s degree, a degree in philosophy and a master's in sound art. Jane’s creative work reflects her diverse background, ranging from collaborations with major labels like Sony Music, mentoring emerging talent, and collaborating on large-scale immersive installations. As a lecturer in production engineering and sound art, Jane teaches at NYU’s Berlin Campus and at FHNW Basel’s Jazz Campus. She frequently leads workshops and speaks at conferences and festivals on sound.
