1st Edition
Mobile Heritage Practices, Interventions, Politics
List of figures
List of tables
List of contributors
Introduction: What is mobile heritage? (Ana-Maria Herman)
1 No freedom, no honour: Red Dead Redemption 2 and heritage as procedural rhetoric (Leighton Evans)
2 Museum pieces or stealing the show? NFTs and the story of cinematic heritage in fragments (Johanna Gibson)
3 Digital mobilisation: A just restitution? The transfer to Ethiopia of digitised manuscript copies by the British Library (Eyob Derillo and Alexander Herman)
4 Open Cabinet: Critically contextualising contested heritage through augmented reality (Joanna Rivera-Carlisle and Kathryn Eccles)
5 The use of drone technology in the conservation of conflict-affected heritage: The case of Vila do Ibo, Mozambique (Kristen Barrett-Casey)
6 The museum response to the Art NFT: Reinventing (digital) collections and the promise of economic mobilities (Emily Gould)
7 Coffee with a Codex and #manuscriptASMR: Showcasing rare books as a heritage practice (Nicholas Herman and Dot Porter)
8 Reconstructing the Yi identity through popular music and social media in China (Junmin Liu)
9 Hybrid spaces and geolocative mobile apps for LGBTQ heritage (Visa Immonen)
10 Mobile realities beyond vision and photorealism: On collaborative user explorations with Indigenous heritage and the use of intelligent contestation in Australia (Erik Champion and Hafizur Rahaman)
11 The Virtual Illés Initiative: Remediating architectures of information within a 3D, real-time visualisation of 19th-century Jerusalem (Maryvelma Smith O’Neil and Andrew Yip)
12 Digital interventions in art world gender politics: The +Archive Gwen John app and the (im)mobilising power of copyright (Ana-Maria Herman)
Index
Biography
Ana-Maria Herman is Associate Professor at University of Greenwich, UK.
