1st Edition
Modern Russian Cinema as a Battleground in Russia's Information War
Note on Transliteration
Contributor Details
List of Illustrations
Introduction
Alexander Rojavin
Part I: Regulations, Funding, and Policies of the Russian Film Industry
Chapter 1. Russia’s Film Industry between State and Commerce, between National and Global
Birgit Beumers
Chapter 2. In Defense of Historical Truth: The Second Front of Russia’s Information War
Rebecca Johnston
Part II: Military Adventurism and Foreign Policy Fantasies
Chapter 3. The Holocaust and Russia’s Cinematic Go-Betweens: Cultural Diplomatic Internationalism or Covert Information Warfare?
Stephen Hutchings
Chapter 4. Exploiting the Seventh Art: Legitimizing of Contemporary Russian Private Military Adventurism
Kiril Avramov
Chapter 5. Preparing for Total War: Ukraine in Recent Donbas and Russian Cinema
Gillian Littleton and Joshua First
Part III: Law and Dissent on the Screen
Chapter 6. The Battle for Narrative Dominance: Criminal Law in Contemporary Russian Cinema
Alexander Rojavin
Chapter 7. The Russian Orthodox Church and Religious Legislation Reflected in Contemporary Russian Film
Helen Haft
Chapter 8. Angry Young Men and Modest Provincials: Reimagining the Dissident Writer in Russian Cinema
Otto Boele
Index
Biography
Alexander Rojavin, formerly of the theater world, is an intelligence, policy, media, and film analyst specializing in information war history, strategy, and tactics. He is currently the Vice President of Counter Foreign Malign Influence Strategy at Deft9 Solutions, Inc.
Helen Haft is currently an Assistant District Attorney at the Manhattan District Attorney’s Office (she is contributing to this volume in her personal capacity and the views expressed herin do not represent those of the DA's Office or the City of New York). Prior to joining the DA’s office she was a legal fellow at Human Rights in China, after having spent many years studying Russia, with a focus on church-state relations, religiously inspired legislation, and freedom of speech.
