Mosque examines the history, culture, evolution and functions of the Muslim house of worship through the prism of its artistic objects and architectural elements. Contributors present a range of elements, from dome to mihrab, to mosque furniture including lamps, prayer rugs and Qur’an stands. In addition, the book draws attention to the importance of mosque heritage through special projects and initiatives that study, preserve and revitalize the traditional arts of the mosque. This unique book brings together prominent architects, art historians, artists, historians and curators to explore innovative approaches towards the study of mosques through the presentation of original research and insights about mosque-related cultural objects. It is essential reading for anyone interested in the art and culture of the Muslim world.
FOREWORD BY ITHRA
Farah Abushullaih
FOREWORD BY THE ALFOZAN AWARD FOR MOSQUE ARCHITECTURE
Mashary A. AlNaim
INTRODUCTION
Idries Trevathan
Part 1: PEOPLE AND SPACES
1. MOSQUE WAQF RECORDS: THE STORY OF BESHIR AGHA
Mona Aljalhami
2. AL-GHAZALI AND THE CONGREGATIONAL MOSQUE
Carole Hillenbrand
Part 2: FORM AND FUNCTION
3. THE ‘BERBER’ MINBAR AT ITHRA
Stefano Carboni
4. ISLAMIC DOMES
Robert Hillenbrand
5. ROW PRAYER RUGS IN MOSQUES: A STUDY IN THE PHILOSOPHY OF DESIGN AND FUNCTION
Mohamed Abdel Salam
Part 3: AESTHETIC PERCEPTION
6. SEMIOTIC OUTSIDE, PHENOMENOLOGICAL INSIDE: NEW HERMENEUTICS OF MOSQUE ARCHITECTURE AND ITS FUNCTION
Valerie Gonzalez
7. DEEPENING AESTHETIC ENGAGEMENT: CONSIDERING THE CAPACITY OF PRACTICE AS RESEARCH TO INFORM AN APPROACH TO HISTORICAL OBJECTS
Emily Pott
8. THE SONOROUS, AUDIBLE MOSQUE: A NEW PERSPECTIVE ON ISLAMIC ARCHITECTURE
Michael Frishkopf
9. ISLAM AND THE CONCEPT OF UMMA: PRESENTING “PRAYER AND THE MOSQUE” IN THE NEW VISITOR TRAIL AT THE MUSEUM OF ISLAMIC ART (MIA)
Mounia Chekhab-Abudaya
Part 4: PRESERVATION & RIVATALIZATION
10. INSPIRED BY HERITAGE: THE MAKING AND EXHIBIT OF CONTEMPORARY MOSQUE OBJECTS AT ITHRA
Thalia Kennedy
11. THE ROLE OF TRADITIONAL CRAFTSMANSHIP IN THE CONTEMPORARY MOSQUE
Abdul Karim Crites
12. THE MAMLUK MINBARS OF CAIRO: RESCUING ART, DESIGN AND HISTORY
Omniya Abdel Barr
13. MIHRAB- THE ARCHITECTURAL FORM IN CONTEMPORARY STUDIO PRACTICE
Katya Nosyreva
CONTRIBUTOR BIOGRAPHIES
BIBLIOGRAPHY
Biography
Idries Trevathan is the Curator of Islamic Art at the King Abdulaziz Center for World Culture (Ithra). Since its opening in 2018, he has helped establish Ithra as a major destination for Islamic art through building its collection from scratch and curating major exhibitions in partnership with the Los Angeles County Museum (LACMA) and the Supreme Council of Egyptian Antiquities. Trevathan received his BA undergraduate degree in conservation studies at the City & Guilds of London Art School (2006), and his MPhil (2013) and PhD (2018) in Islamic art from the King's Foundation School of Traditional Arts in London. He has also authored and edited several books including Colour, Light and Wonder in Islamic Art (Saqi Books 2020) and The Art of Orientation: An Exploration of the Mosque through Objects (Hirmer 2020) and Hijrah: In the Footsteps of the Prophet (Hirmer 2022).
