1st Edition

Motherless Creations Fictions of Artificial Life, 1650-1890

By Wendy C. Nielsen Copyright 2022
    262 Pages 13 B/W Illustrations
    by Routledge

    262 Pages 13 B/W Illustrations
    by Routledge

    This book explains the elimination of maternal characters in American, British, French, and German literature before 1890 by examining motherless creations: Pygmalion’s statue, Frankenstein’s creature, homunculi, automata, androids, golems, and steam men. These beings typify what is now called artificial life, living systems made through manufactured means. Fantasies about creating life ex-utero were built upon misconceptions about how life began, sustaining pseudoscientific beliefs about the birthing body. Physicians, inventors, and authors of literature imagined generating life without women to control the process of reproduction and generate perfect progeny. Thus, some speculative fiction before 1890 belongs to the literary genealogy of transhumanism, the belief that technology will someday transform some humans into superior, immortal beings. Female motherless creations tend to operate as sexual companions. Male ones often emerge as subaltern figures analogous to enslaved beings, illustrating that reproductive rights inform readers’ sense of who counts as human in fictions of artificial life.

    Introduction: Fictionality and Artificial Life

    Part One, The Rationale for Creating Life without Mothers, 1650-1800

    Chapter 1, Fables about the Birthing Body in the Long Eighteenth Century

    Chapter 2, Automaton: The Analogy of ‘Man a Machine’ in Descartes and Obstetrics

    Chapter 3, Pygmalion as Creator of Artificial Life

    Part Two, Motherless Children in Literature of the Romantic Era, 1800-1832

    Chapter 4, Homunculus and the Search for Immortality in Goethe’s Faust

    Chapter 5, Olympia and the Romance Scam in Hoffmann’s The Sandman

    Chapter 6, The Creature, his Companion, and the Singularity in Shelley’s Frankenstein

    Chapter 7, The Golem: A Reflection on the Purpose of Artificial Life

    Part Three, Making Artificial Slaves in French and American Literature, 1850-1890

    Chapter 8, The Sex Bot Hadaly in Villiers’s Tomorrow’s Eve

    Chapter 9, Constructing Identity through the "Iron Slave" in Melville’s The Bell-Tower

    Chapter 10, White Supremacy in Ellis’s The Steam Man





    Wendy C. Nielsen is Associate Professor of English at Montclair State University, USA. She has published the book Women Warriors in Romantic Drama and scholarly essays on world literature, Romantic-era automata, theater, the French Revolution, Jean-Jacques Rousseau, Olympe de Gouges, Johann Wolfgang von Goethe, Elizabeth Inchbald, Charlotte Corday, and Boadicea.

    "This fascinating exploration of the quest for mechanical life in the Western imagination is beautifully written, thought provoking, and riveting. By situating these fantasies of "motherless creations" within a cultural context of medicalized misogyny and slavery, Nielsen presents a deeply rich, timely study relevant for understanding today's transhumanist debates."

    Joanna Ebenstein, Founder of Morbid Anatomy

    "What impressed me most about this book is its prospicience, its boldness to position itself in the discursive field between posthumanism and transhumanism...With Motherless Creations, Nielsen offers long overdue explanations about the genesis of motherless creations in American, British, French, and German literature."

    Sibylle Erle, University of Lincoln,United Kingdom