1st Edition
Music, Authorship, Narration, and Art Cinema in Europe 1940s to 1980s
Part 1: Cinematic Collaborations and the Questioning of the Auteur Style Through Music
1. Music as a Sonic Enabler: Jean-Pierre Melville’s Film Adaptation of Jean Cocteau’s Les enfants terribles
Laura Anderson
2. Palimpsest, Mediation, Déjà entendu-Effect: The Musical Dramaturgy of Federico Fellini and Nino Rota’s La dolce vita
Emilio Sala
3. Michael Nyman and the Development of an Art House Musical Aesthetic
Pwyll ap Siôn
Part 2: Music and Narration: The Meaning Beyond the Text
4. Shostakovich, Arnshtam, and the Sound of the Cinematic Soviet Heroine
Joan Titus
5. Michelangelo Antonioni’s Il grido: Its Music and the Pain of Living
Roberto Calabretto
Part 3: Music as Cinematic Metaphor in a Repressed Political System
6. A Taste of Freedom Behind Closed Doors: Romanian Film Music before the Fall of Communism, 1955–85
Dominique Nasta
7. Echoes of Catastrophe: Music in Films of The Polish School
Iwona Sowińska
8. The Soundtrack of the Uncanny: Music and Repetition in Carlos Saura’s Ana y los lobos (1972) and Cría cuervos (1975)
Karen Poe Lang
Biography
Michael Baumgartner is Associate Professor of Musicology, Cleveland State University.
Ewelina Boczkowska is Professor of Musicology, Youngstown State University.
