1st Edition

Music Festivals in the UK Beyond the Carnivalesque

By Chris Anderton Copyright 2018
210 Pages
by Routledge

210 Pages 8 B/W Illustrations
by Routledge

210 Pages 8 B/W Illustrations
by Routledge

The outdoor music festival market has developed and commercialised significantly since the mid-1990s, and is now a mainstream part of the British summertime leisure experience. The overall number of outdoor music festivals staged in the UK doubled between 2005 and 2011 to reach a peak of over 500 events. UK Music (2016) estimates that the sector attracts over 3.7 million attendances each year,... Read more

1. Contextualising Outdoor Music Festivals in the UK 2. Proliferation, Professionalisation and Mainstreaming of Outdoor Music Festivals 3. Branded Landscapes: Sponsorship, Marketing and Mediation 4. Always the Same, Yet Always Different: Music Festivals as Cyclic Places 5. The Social Life of Music Festivals: Audiences and Atmosphere

Biography

Chris Anderton is an Associate Professor at Solent University, UK, where he



teaches music management, business, history and culture. He is co-author of



the book Understanding the Music Industries (Sage, 2013) and has published



book chapters and articles on music bootlegging, music blogs, progressive



rock, and music festivals. He established the in-house music organisation



Solent Music (solentmusic.com) in 2011 and is co-Executive Producer of



the annual Solent SMILE Festival (smilefest.co.uk). His research interests



include the cultural economy of music festivals and live events, the future of



the music industries, and the ‘hidden histories’ of popular, underground and



niche music genres.