1st Edition

Music Festivals in the UK Beyond the Carnivalesque

By Chris Anderton Copyright 2018
    210 Pages
    by Routledge

    210 Pages 8 B/W Illustrations
    by Routledge

    The outdoor music festival market has developed and commercialised significantly since the mid-1990s, and is now a mainstream part of the British summertime leisure experience. The overall number of outdoor music festivals staged in the UK doubled between 2005 and 2011 to reach a peak of over 500 events. UK Music (2016) estimates that the sector attracts over 3.7 million attendances each year, and that music tourism as a whole sustains nearly 40,000 full-time jobs. Music Festivals in the UK is the first extended investigation into this commercialised rock and pop festival sector, and examines events of all sizes: from mega-events such as Glastonbury Festival, V Festival and the Reading and Leeds Festivals to ‘boutique’ events with maximum attendances as small as 250. In the past, research into festivals has typically focused either on their carnivalesque heritage or on developing managerial tools for the field of Events Management. Anderton moves beyond such perspectives to propose new ways of understanding and theorising the cultural, social and geographic importance of outdoor music festivals. He argues that changes in the sector since the mid-1990s, such as professionalisation, corporatisation, mediatisation, regulatory control, and sponsorship/branding, should not necessarily be regarded as a process of transgressive 'alternative culture’ being co-opted by commercial concerns; instead, such changes represent a reconfiguration of the sector in line with changes in society, and a broadening of the forms and meanings that may be associated with outdoor music events.

    1. Contextualising Outdoor Music Festivals in the UK 2. Proliferation, Professionalisation and Mainstreaming of Outdoor Music Festivals 3. Branded Landscapes: Sponsorship, Marketing and Mediation 4. Always the Same, Yet Always Different: Music Festivals as Cyclic Places 5. The Social Life of Music Festivals: Audiences and Atmosphere


    Chris Anderton is an Associate Professor at Solent University, UK, where he

    teaches music management, business, history and culture. He is co-author of

    the book Understanding the Music Industries (Sage, 2013) and has published

    book chapters and articles on music bootlegging, music blogs, progressive

    rock, and music festivals. He established the in-house music organisation

    Solent Music (solentmusic.com) in 2011 and is co-Executive Producer of

    the annual Solent SMILE Festival (smilefest.co.uk). His research interests

    include the cultural economy of music festivals and live events, the future of

    the music industries, and the ‘hidden histories’ of popular, underground and

    niche music genres.