1st Edition
Music, Ideology, and Commerce in European Popular Cinema 1940s to 1980s
Introduction
Ewelina Boczkowska
PART I
Ideology and Music in Genre Cinema
1 Film Music in East and West Germany between 1946 and 1989: A Comparative Study
Wolfgang Thiel
2 Power Chords: The West German Schlagerfilm of the 1950s and the New World Order
Guido Heldt
3 “Yugoslav Antithesis” and Serbian Film Music
Vesna Mikić
4 Z Music: The 1970s French Political Thriller
Phil Powrie
PART II
Synergies between Popular Cinema and Media Industries
5 “With-It” and “Far-Out” Music for “Swinging London” Films between 1965 and 1970
K. J. Donnelly
6 The Dark Side of the Boom: Post-Thematic Scoring, Popular Styles, and Urban Space in the Italian Poliziottesco of the 1970s
Alessandro Bratus
7 Music, Generational Change, and Ideology in Italian Actor–Writer–Director Comedy Films of the 1980s
Alessandro Cecchi
8 Musically Powered “Suspension Points” in France’s Cinéma du Look
James Wierzbicki
Biography
Michael Baumgartner is Professor of Musicology, Cleveland State University.
Ewelina Boczkowska is Assistant Professor of Musicology, The University of Memphis.






