Music Theory in the Safavid Era : The taqsīm al-naġamāt book cover
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Music Theory in the Safavid Era
The taqsīm al-naġamāt





ISBN 9781138062436
Published October 7, 2018 by Routledge
448 Pages 231 B/W Illustrations

 
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Book Description

The Safavid era (1501–1722) is one of the most important in the history of Persian culture, celebrated especially for its architecture and art, including miniature paintings that frequently represent singers and instrumentalists. Their presence reflects a sophisticated tradition of music making that was an integral part of court life, yet it is one that remains little known, for the musicological literature of the period is rather thin. There is, however, a significant exception: the text presented and analysed here, a hitherto unpublished and anonymous theoretical work probably of the middle of the sixteenth century. With a Sufi background inspiring the use of the nay as a tool of theoretical demonstration, it is exceptional in presenting descriptive accounts of the modes then in use and suggesting how these might be arranged in complex sequences. As it also gives an account of the corpus of rhythmic cycles it provides a unique insight into the basic structures of art-music during the first century of Safavid rule.

Table of Contents

1. Introduction





    2. Fragments



    3. Modes





      4. Combinations



      5. Retrospect 1





        6. Conclusions





          7. Rhythm



          8. Retrospect 2



          9. Prospect 1





            10. Formal interlude





              11. Prospect 2





                12. Text



                13. Bibliography

                ...
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                Author(s)

                Biography

                Owen Wright is Emeritus Professor of Musicology of the Middle East at the School of Oriental and African Studies, University of London.