1st Edition
Music and Antifascism Cultures of Resistance in Europe and North America
Introduction
Ondřej Daniel, Allyson Rogers, James K. Wright
PART ONE: CONFRONTING THE FAR-RIGHT
1. “Fascism, Antifascism, and Contested Ambiguities in Extreme Metal: The Steelfest 2022 Controversy”
Owen Coggins
2. “‘I Really Really Wannabe a Dictator’: A Music Mash-up’s Opposition to Trump’s Second Term”
Lyndon Way
3. “Czech Postsocialist Antifascism: A Battle for the Soul of Music Subcultures”
Ondřej Daniel
PART TWO: COLLECTIVE ORGANIZATION AND RESISTANCE
4. “Antifascist Singing in Interwar England: Alan Bush, the Workers’ Music Association, and Handel’s Belshazzar”
Stewart Duncan
5. “Punk Rock, Political Education, and Anti-fascism in 1970s Great Britain”
Justin Paulson
6. “Bicommunal Struggle in Europe’s Last Divided Capital: Antifascist Festivals as Models of Autonomous Self-Organization and Resistance”
Rebecca Pericleous
PART THREE: SONGS OF RESISTANCE
7. “Partisan Music in Contemporary European Youth Cultures: The Popularization, Contestation, and Persistence of ‘Bella Ciao'”
Katharina Alexi
8. “‘Our Father is Bandera’: Fascism, Antifascism, and Memorialization in Ukrainian Resistance Songs”
James Wright
9. “Antifascism, Rhetorical Framing, and Public Pedagogy in the Mid-Century American Folk Music of Woody Guthrie”
Harley Ferris
10. “‘Quake, Fascists! The Pir Sultans Are Coming’: Early Modern Alevi Song as Antifascist Poetics”
Peter McMurray
11. “Antifascist Music in Detention: Songs of the French Resistance in Nazi Camps and Prisons”
Marie-Hélène Benoit-Otis
PART FOUR: AESTHETICS AND ANTIFASCISM
12. “Third Reich 'n Roll: Popular Music and the Performative Antifascism of The Residents”
Marcel Bouvrie
13. “A Sound Cartography of Antifascist Resistance of the Twentieth Century: Exploring Luigi Nono’s Für Paul Dessau”
Luis Velasco-Pufleau
14. “The Songs of Accidente: Navigating the Multiple Meanings of Antifascist Punk in Spain after the 2010s”
Natàlia Cantó-Milà and Selin Yagci
PART FIVE: THE POLITICS OF PERFORMANCE
15. “Opera as Antifascism in Postwar Hungary”
Zachary Milliman
16. “(Not) the Enemy’s Music: Politics, Media, and the Reception of German Orchestral Music in the U.S., 1917-1945”
Gabryel Smith
17. “Austrian Musical Antifascism in Exile, or Vienna on the Thames”
James Deaville
18. “‘Two Hours Alive on a Dead TV’: Music, Protest, and the Public Broadcaster during the Last Years of the Portuguese Estado Novo Dictatorship”
Sofia Vieira Lopes
Biography
Ondřej Daniel is a co-founder of Prague-based Centre for the Study of Popular Culture (cspk.eu) and works as a historian in the Department of History of Charles University’s Faculty of Arts, Czechia.
Allyson Rogers is a SSHRC Postdoctoral Fellow in the School for Studies in Art and Culture at Carleton University in Ottawa, Canada.
James K. Wright is a Full Professor of Music in both the School for Studies in Art and Culture and The College of the Humanities at Carleton University, in Ottawa, Canada.






