Music and the Middle Class: The Social Structure of Concert Life in London, Paris and Vienna between 1830 and 1848, 1st Edition (Paperback) book cover

Music and the Middle Class

The Social Structure of Concert Life in London, Paris and Vienna between 1830 and 1848, 1st Edition

By William Weber

Routledge

216 pages

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Description

First published in 1975, Music and the Middle Class made a trail-blazing contribution to the social history of music, bringing together sociological and historical methods that have subsequently become accepted as central to the discipline of musicology. Moreover, the major themes of the book are ones which scholars today continue to grapple with: the nature of the middle class(es) and their role in cultural definition; the concept of taste publics distinct from social status; and the establishment of the musical canon. This classic text is reissued here in Ashgate's Music in Nineteenth-Century Britain series, though of course the book ranges beyond its study of London to discuss in detail the contrasting concert life of Paris and Vienna. This edition features a substantial new preface which takes into account the significant work that has been done in this field since the book first appeared, and provides a unique opportunity to assess the impact the book has had on our thinking about the European middle class and its role in musical life.

Table of Contents

Contents: Preface; Introduction; The cultural explosion: an overview; The high-status popular music public; The high-status classical music public; The low-status concert public; Conclusion; Appendix; Bibliography; Index.

About the Series

Music in Nineteenth-Century Britain

Music in Nineteenth-Century Britain

So much of our ‘common’ knowledge of music in nineteenth-century Britain is bound up with received ideas. This series disputes their validity through research critically reassessing our perceptions of the period. Volumes in the series cover wide-ranging areas such as composers and composition; conductors, management and entrepreneurship; performers and performing; music criticism and the press; concert venues and promoters; church music and music theology; repertoire, genre, analysis and theory; instruments and technology; music education and pedagogy; publishing, printing and book selling; reception, historiography and biography; women and music; masculinity and music; gender and sexuality; domestic music-making; empire, orientalism and exoticism; and music in literature, poetry, theatre and dance.

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Subject Categories

BISAC Subject Codes/Headings:
MUS000000
MUSIC / General