1st Edition

Music as Agency Diversities of Perspectives on Artistic Citizenship

Edited By Maria Westvall, Emily Achieng’ Akuno Copyright 2024
160 Pages 5 B/W Illustrations
by Routledge

160 Pages 5 B/W Illustrations
by Routledge

160 Pages 5 B/W Illustrations
by Routledge

Music as Agency: Diversities of Perspectives on Artistic Citizenship focuses on the concept, application, interpretation and manifestation of Artistic Citizenship in diverse contexts. The key concepts that the book tackles are: Cultural experience, artistic practice, musical identities, equity, democracy, community, activism, resistance and empathy. In giving an overview of aspects of the... Read more

Preface

David Elliot

 

Foreword

Henrik Sveidahl

 

Introduction - Artistic Citizenship in a Global Perspective

Maria Westvall  & Emily Achieng’ Akuno

 

Chapter 1 -  Art for All’s Sake: Co-Creation, “Artizenship,” and Negotiated Practices

Charles Carson and Maria Westvall

 

Chapter 2 - Social Engagement towards Artistic Citizenship in Music Teaching

Flávia Motoyama Narita

 

Chapter 3 – Civic responsibility through artistic citizenship and empathy: 21st Century feminist aims for music education

Marissa Silverman

 

Chapter 4 - Artistic Citizenship and Cosmopolitanism in Musical-Social Work

Kim Boeskov and Kristine Ringsager

 

Chapter 5 - Artistic Citizenship as Practices of Everyday Resistance

Oscar Pripp

 

Chapter 6 –Practicing citizenship artistically: An autoethnographic account of a Chinese-Canadian-Brazilian music educator

Nan Qi

 

Chapter 7 - Building citizenship in contexts of democratic recovery: A review of Chilean cultural policies on music education, 1990 – 2022

Carlos Poblete Lagos

 

Chapter 8 - Articulating Sound Citizenship in the General Arts Classroom towards Sound Awareness and Sound Living: A Perspective from Singapore Contemporary Artists

Chee Hoo Lum

 

Chapter 9 – Music Making in the Construction of Culture: Artizenship through Emerging Music Styles in Kenya

Emily Achieng’ Akuno

 

Conclusion: Artizenship, Agency, Actions

Emily Achieng’ Akuno & Maria Westvall

Biography

Emily Achieng’ Akuno studied at Kenyatta University, Kenya, Northwestern State University of Louisiana, USA and Kingston University, UK. A professor of music at the Technical University of Kenya, her research focuses on music and teacher education in cultural contexts. She is editor and author of books and articles including Music Education in Africa: Concept, process and practice (Routledge, 2019). She is Past President of the International Music Council (IMC) and the International Society for Music Education (ISME). She is founding chair of the Music Education Research Group – Kenya (MERG-Kenya).

Maria Westvall is Professor at the Rhythmic Music Conservatory (RMC) in Copenhagen and the director of CReArC (Copenhagen Centre for Research in Artistic Citizenship). Her research focuses on the sociological and artistic dimensions of music education, intercultural approaches, musical and cultural diversity, musical community practices, and migration, and she has directed several research projects on these topics. Her research is published in several books and scientific journals including Music Education Research, British Journal of Music Education, Journal of Music Teacher Education, International Journal of Community Music, Música em perspectiva, El oído pensante, Intercultural Education, Action, Criticism & Theory for Music Education, Nordic Research in Music Education, Danish Musicology Online and the Finnish Journal of Music Education.

‘This brilliant collection of essays is a matchless gift to anyone who takes a serious interest in the myriad powers of music to embody, inspire, advance, and protect civil responsibility, humane relationality, and an “ethic of care” for people and cultures everywhere. In beautiful, jargon-free prose, the distinguished scholars and practitioners in this volume—from Europe, the Americas, Asia, and Africa—explain, analyze, clarify, deepen, and re-vision the meanings, practices, possibilities, and teaching of musics for Artistic Citizenship(s). Speaking personally, it is a joy to see how Music as Agency: Diversities of Perspectives on Artistic Citizenship goes far beyond the nascent efforts of Marissa Silverman and I to explain Artistic Citizenship more than a decade ago. Moreover, I am in admiration of how the authors in this book conceive and unfold their discussions in exceptionally creative, elegant, and erudite ways. This comprehensive volume will surely advance and shape the field of Artistic Citizenship for decades to come and transport the discipline to every corner of the globe.’

-          David J. Elliott, Professor Emeritus of Music and Music Education, New York University