1st Edition
Music as Image Analytical psychology and music in film
Part 1: The Psychological Image: Imaging and imagination - a Jungian perspective Jung, Image, Archetype and Complex. Jung, Opposites and Psychic Energy. Jung’s Psychological Types. Jung, Sign and Symbol. Image, Imagery, Imagination: A perspective of placement. The Autonomous Ways of Images: Dreams and synaesthesia. Conclusion: The non-visual image Part 2: Music as Image: The encounter of visual and non visual in film Music as Image: An emotive introduction. Music as Image: Its placement in film. Music as Image: Its realities and functions. Psychological Dimensions of the Film-Music Functions. Film Music: Type, style, original and non-original music. Film, Music, Archetype. When Image Turns Hero. Conclusion: The music-image – inside and outside film. Part 3: Close Encounters of the Musical Kind: An analysis of the music-image in three films Taxi Driver. Nuit et Brouillard (Night and Fog). Eyes Wide Shut. Finale (Conclusion).
Biography
Benjamin Nagari gained a PhD in Jungian and Post-Jungian Studies from the University of Westminster, UK. He is also a prolific musician and composer; having started in Pop and Rock music he went on to composing for stage, radio and television, followed by film scores and concert music (symphonic, chamber, vocal and choral).
