1st Edition
Musical Sincerity and Transcendence in Film Reflexive Fictions
Introduction: Musical Reflexivity
Chapter 1: Enduring Romanticism: Spirit-Realms, Mass-Mediation, and the New Sincerity
Chapter 2: The Sounds of Sincerity: Hearing Post-Irony in Indiewood Film
Chapter 3: On Social Alienation and the Promises of Music
Chapter 4: Performing on Musical Playgrounds
Chapter 5: "I’m Afraid You’re Just Too Darn Loud:" The Music Technological Sublime in Film
Chapter 6: Searching for Lost Time in Debussy’s "Clair de lune"
Epilogue
Biography
Timothy Cochran is Associate Professor of Music History at Eastern Connecticut State University. His articles on Olivier Messiaen and Claude Debussy have appeared in The Journal of Musicology, Theoria, 19th-Century Music, and Twentieth-Century Music. His additional research interests include composer Bernard Herrmann and music in Indiewood.
