How do musicians play and talk to audiences? Why do audiences listen and what happens when they talk back? How do new (and old) technologies affect this interplay? This book presents a long overdue examination of the turbulent relationship between musicians and audiences. Focusing on a range of areas as diverse as Ireland, Greece, India, Malta, the US, and China, the contributors bring musicological, sociological, psychological, and anthropological approaches to the interaction between performers, fans, and the industry that mediates them. The four parts of the book each address a different stage of the relationship between musicians and audiences, showing its processual nature: from conceptualisation to performance, and through mediation to off-stage discourses. The musician/audience conceptual division is shown, throughout the book, to be as problematic as it is persistent.
Jonathan P.J. Stock – Foreword: Audiencing
Ioannis Tsioulakis & Elina Hytönen-Ng – Introduction to Musicians and Audiences
PART I: CONCEPTUALISING THE AUDIENCE-PERFORMER ENGAGEMENT
PART II: LIVE RELATIONSHIPS: NEGOTIATIONS OF PERFORMANCE
PART III: TECHNOLOGICAL MEDIATIONS: THE VIRTUAL AND THE MATERIAL
PART IV: OFF-STAGE DISCOURSES AND THE POWER OF FANDOM
Walter van de Leur – Afterword: ‘Moved to the point where she could no longer contain herself’: Ellington and Audience Interaction at the Newport Jazz Festival