1st Edition
Music's Immanent Future The Deleuzian Turn in Music Studies
List of Figures
List of Tables
List of Music Examples
Notes on Contributors
Acknowledgements
Introduction Sally Macarthur and Judy Lochhead
The Academic Music Machine
1. The Academic Music Machine Sally Macarthur
2. From the Universal and Timeless to the Here and Now: Rethinking Music Studies Susan McClary
3. Music and the Intertextualities of Listening, Performing and Teaching Jennifer Shaw
4. An Immanent Approach to Theory and Practice in Creative Arts Research Joseph Williams
Deleuzian Encounters
5. Intra-active Soundings: becoming-woman, becoming-minor Sally Macarthur and Judy Lochhead
6. Chaotic Mappings: On the Ground with Music Judy Lochhead
7. Meeting the Composer Halfway: Which Anne Boyd? Sally Macarthur
8. Schaeffer’s Sound Effects Ian Stevenson
Materialities of Sounding
9. Applied Aesthetics Judy Lochhead
10. Living Colours: An Asian–Pacific Conceptual Frame for Composition Bruce Crossman
11. Kawaii Aesthetics and the Exchange Between Anime and Music Paul Smith
12. A Musical Portmanteau: Rock Viscerality, Juxtaposition and Modernist Textures in Frumious Holly Harrison
Immanent Listening
13. Immanent Listening Sally Macarthur
14. Seeing the Sense: Imagining a New Approach to Acousmatic Music and Listening Michelle Stead
15. Listening to Ethnographic Holocaust Musical Testimony through Jean-Luc Nancy Joseph Toltz
Deleuzian Ontologies
16. Musical Becomings Judy Lochhead
17. Material Music: Speculations on Non–Human Agency in Music Greg Hainge
Bibliography
Index
Biography
Sally Macarthur is a musicologist whose work focuses on recent musical practices in Australia with a particular emphasis on music of the western classical tradition and women's music. She is Associate Professor and Director of Academic Program (Music) in the School of Humanities and Communication Arts at Western Sydney University, Australia.
Judy Lochhead is a theorist and musicologist whose work focuses on the most recent musical practices in North America and Europe, with particular emphasis on music of the western classical tradition. She is Professor of Music at Stony Brook University, USA.
Jennifer Shaw is a musicologist whose work focuses on the Second Viennese School, music copyright and on creative practice as research. She is Professor and Executive Dean of the Faculty of Arts at the University of Adelaide, Australia.
