1st Edition

Myths of the Golden Age in European Culture

Edited By Stephen G. Nichols, Claudia Olk Copyright 2025
192 Pages
by Routledge

192 Pages
by Routledge

192 Pages
by Routledge

Hesiod’s concept of a Golden Age, together with analogous myths – Babylonian, Egyptian, Hebrew, etc. – speak to the psychic appeal, perhaps even deep-rooted need, for humans to conceive alternate worlds free from the anguish, toil, and dangers of the one they inhabit. Classical poets and philosophers explored the myth; the Middle Ages imagined it as the land of Cockaigne; Early Modern dramatists... Read more

List of Contributors

 

Preface

 

Claudia Olk and Stephen G. Nichols,

Introduction

 

Oliver Primavesi

Chapter 1: Hesiod and Empedocles on the Decline of Humankind

 

Stephen G. Nichols

Chapter 2: Eros and Eris in Hesiod’s Myth of the Golden Age

 

Jack I. Abecassis

Chapter 3: In defense of the Evil Brother, an Interpretation of Hesiod’s Works and Days

 

Daniel Heller-Roazen

Chapter 4: The Oldest Reading: Prometheus and the Arts of Divination

 

Brian J. Reilly

Chapter 5: “Immeasurably Preferred to Gold”: The Saintly Age of Medieval Christian Salvation

 

Gaia Gubbini

Chapter 6: After the End: The Troubadours, the Golden Age, and a Fading Civilization

 

Claudia Olk

Chapter 7: ‘T’excel the Golden Age’: Golden Worlds in the English Renaissance

 

Joachim Küpper

Chapter 8: Patriarchal Fantasies and Proto-Feminist Libertarianism: Don Quijote’s Praise of the Golden Age and Marcela’s Plea for Freedom

 

Andreas Höfele

Chapter 9: The Golden Age Restored, London 1616: Court Entertainment and Stuart Politics

 

David E. Wellbery

Chapter 10: The Golden Age in the Age of Goethe

 

Michael Lackner

Chapter 11: One Golden Age? Or many? Chinese Conceptions of the Ideal Society

 

Index

Biography

Stephen G. Nichols is the James M. Beall Professor Emeritus and Academy Professor of French and Humanities at Johns Hopkins University.  He is a Fellow of the American Academy of Arts and Sciences, a Fellow of the Medieval Academy of America, an Honorary Senior Fellow of the School of Criticism and Theory (which he directed from 1996-2001). He received an honorary Docteur dès Lettres from the University of Geneva, is an Officier de l’Ordre des Arts et Lettres (France) and was awarded the Alexander von Humboldt Foundation Research Prize in 2008, 2015, and 2023. A Yale University Ph.D. in Comparative Literature, he has written or edited some 27 books on the Middle Ages, including Romanesque Signs: Early Medieval Narrative and Iconography, which received MLA’s Lowell Prize for an outstanding book, and From Parchment to Cyberspace: Medieval Literature in the Digital Age. Nichols co-directs JHU’s Digital Library of Medieval Manuscripts and co-founded the journal Digital Philology.

 

Claudia Olk is chair of English and Director of the Shakespeare Library at Ludwig- Maximilians-Universität München. Until 2019 she was chair of Comparative Literature at the Peter Szondi Institute of the Freie Universität Berlin and Dean of the Faculty of Philosophy and the Humanities. Her main fields of research are Medieval and Renaissance Literature, Shakespeare Studies as well as Modernism. She is a member of the Bavarian Academy of Sciences and Humanities and served as President of the German Shakespeare Society from 2014-2023. Her publications include: Travel and Narration: the development of fiction in late medieval and renaissance travel narratives (1999), Virginia Woolf's Aesthetics of Vision (2014), and Shakespeare and Beckett: Restless Echoes (2023). Her edition of one of Virginia Woolf's hitherto unpublished manuscripts was published in 2013 by the British Library.