Edited
By Terrence Hawkes
February 14, 2005
These three volumes are part of the forty-one volume set New Accents. First launched in 1977, the New Accents series rapidly changed the face of literary studies. Its clear and concise volumes brought the latest in literary theory to students and academics and paved the way for undergraduate ...
Edited
By Terrence Hawkes
February 14, 2005
These three volumes are part of the forty-one volume set New Accents. First launched in 1977, the New Accents series rapidly changed the face of literary studies. Its clear and concise volumes brought the latest in literary theory to students and academics and paved the way for undergraduate ...
Edited
By Terrence Hawkes
February 14, 2005
These two volumes are part of the forty-one volume set New Accents. First launched in 1977, the New Accents series rapidly changed the face of literary studies. Its clear and concise volumes brought the latest in literary theory to students and academics and paved the way for undergraduate teaching...
Edited
By Terrence Hawkes
February 14, 2005
These four volumes are part of the forty-one volume set New Accents. First launched in 1977, the New Accents series rapidly changed the face of literary studies. Its clear and concise volumes brought the latest in literary theory to students and academics and paved the way for undergraduate ...
Edited
By Terrence Hawkes
February 14, 2005
These two volumes are part of the forty-one volume set New Accents. First launched in 1977, the New Accents series rapidly changed the face of literary studies. Its clear and concise volumes brought the latest in literary theory to students and academics and paved the way for undergraduate teaching...
By Catherine Belsey
December 30, 2004
What makes us the people we are? Culture evidently plays a part, but how large a part? Is culture alone the source of our identities? Some have argued that human nature is the foundation of culture, others that culture is the foundation of human identity. Catherine Belsey calls for a more nuanced, ...
By John Fiske, John Hartley
December 19, 2003
Reading Television was the first book to push the boundaries of television studies beyond the insights offered by cultural studies and textual analysis, creating a vibrant new field of study. Using the tools and techniques in this book, it is possible for everyone with a television set to analyze ...
By Tony Bennett
October 20, 2003
Russian Formalism and Marxist criticism had a seismic impact on twentieth-century literary theory and the shockwaves are still felt today. First published in 1979, Tony Bennett's Formalism and Marxism created its own reverberations by offering a ground-breaking new interpretation of the Formalists'...
Edited
By Terence Hawkes
October 23, 1996
Alternative Shakespeares, published in 1985, shook up the world of Shakespearean studies, demythologising Shakespeare and applying new theories to the study of his work. Alternative Shakespeares: Volume 2 investigates Shakespearean criticism over a decade later, introducing new debates and new ...
Edited
By John Drakakis
July 05, 2002
When critical theory met literary studies in the 1970s and '80s, some of the most radical and exciting theoretical work centred on the quasi-sacred figure of Shakespeare. In Alternative Shakespeares, John Drakakis brought together key essays by founding figures in this movement to remake ...
By Catherine Belsey
June 28, 2002
What is poststructuralist theory, and what difference does it make to literary criticism? Where do we find the meaning of the text: in the author's head? in the reader's? Or do we, instead, make meaning in the practice of reading itself? If so, what part do our own values play in the process of ...
By Christopher Norris
July 05, 2002
Deconstruction: Theory and Practice has been acclaimed as by far the most readable, concise and authoritative guide to this topic. Without oversimplifying or glossing over the challenges, Norris makes deconstruction more accessible to the reader. The volume focuses on the works of Jacques Derrida ...
